Beautifully uplifting songwriting, divine vocals amidst a blissful and relevant production style – Daven Lucas engages and uplifts, with the poetic purity and motivational depth of I Prayed, I Cried.
Singles
New music from Allan Jamisen brings a song built from a selection of perfectly crafted moments – the kind of colourful bursts of melody and chorus that resound as those suitable for use in uplifting reels and media alike.
Old-school vocals that are faultlessly rhythmic, the end of each phrase echoed for that nostalgic depth and a sense of unity to further the song’s driving force – Empire City is timeless by nature, and boldly original in its conscious framing of ideas and the development of the story.
It’s a huge production in the end, an atmospheric fusion of Gospel and Rock, surrounding a timeless melody, and piercingly evocative vocals from our leading artist.
Vehement punk rock with an edge of metal and an unrelenting tempo – Kārtël raise the volume and the pulse, with the topical and stylistic grit of a Spanish-sung Punaladas.
It’s a devastating ending, but the calm and quiet of the music, the humility and tiredness of the vocal, all counters the impact of this – making it feel like a necessary surrender of sorts, to the unsolvable desperation and ache of searching for someone who can’t be found.
The song evolves from intimate and warming, to near-euphoric and quite stunning at its peak. The final moments just briefly introduce a whole choir of vocals and instrumental fullness – the band set-up and backing voices all reinforcing that unrelenting dedication to a significant other.
Introducing the perfect electro-pop track to immerse yourself in this season – Charlotte Jade blends pop perfection with eighties synth-wave and a deep groove, for the smooth and engaging BACK TO YOU.
Hugely cinematic production sets a quickly intriguing vibe – Pastor Weed branches back to his Hip Hop roots, with the sharp bars and haunting, unforgettable hook of the mighty FORGOTTEN.
Initially reflecting on the stark contrast between adverts – one for luxury living followed by one requesting charitable support for those in poverty – The Borderline takes a universal look at the striking separation and still connection between all of us as we go about our lives.
Upbeat instrumental rock with a Rolling Stones persona and groove – an elusive artist, energising the space with layers of guitars, bass, rhythm and power. TJX Media introduces an uplifting and organic approach to instrumental rock, with the quickly electrifying sound of big city.
Nostalgic folk-fusion performer and songwriter Gwyn English Nielsen captures a smooth balance between the intimacy of acoustic music and the boldness of musical theatre, with the unplugged tones, conceptual scorn, and vocal prowess of You Give He Takes.