The crisp clarity of a finely-recorded acoustic guitar strum. A softly rising bassline, and beautifully vulnerable, honest vocals. Ferny G blends folk and pop with subtle nuance, for the deeply heartbroken I thought you were different.
Singles
Featuring an equally fuzzy set of visuals, representing the sheer joy and unity of the track, this is easily one of the most unorthodox but interesting and likeable new releases of the summer so far. J_basco rolls through the stages of the track with fearless attention to evolution and detail, but the opening moments far from depict that intention.
Standing tall on a great sense of groove, carefully blending a strong acoustic riff, organic musicianship and funky rhythms – a spacious and soulful, catchy mix, with a clear sense of evocative depth at its core. Exit12 highlight the wonder and beauty of their uniquely genre-fusing and immensely impressive album Condition: Human, with the perfectly distinct, engaging and frankly euphoric Known.
Forged In Shadow (Bound by Fire) is the boldly cinematic heavy metal introduction, an electrified and poetic hard-rock arrangement and delivery, built around the iconic Lord of the Rings story, and showcasing both the intricate craftwork and essential contrast of composer and performer Mythrend through its cascading layers.
Whiskey In The Jar is the band’s latest single, a creatively fresh take on the classic Irish hit from Thin Lizzy, with equally retro visual effects to further reinforce that old-school escapism. The video employs yesteryear effects and colours, as well as clips of the array of bands who’ve previously covered the iconic song in both the studio and on stage.
Lo-fi production with upbeat, tribal to tropical rhythms – all subtle, all smooth. DJ Bruno Costa and Friza lead with mellow, deep vocal fragments, and enchanting drum-work, for Mina de Responsa. An industrla groove and contrastingly dreamy, etheral synths rise and fall, as this melodically freesyle then catchy voice meandesr through an exotic story and … Continued
Quirky nostalgic dance-pop with threads of both the familiar and the characterful – UK songwriter and artist Tor James Faulkner blends colourful performance with catchy confrontation, for No Way, No Way.
Award-winning songwriter and musician Sean Martin fronts the brilliantly unique genre-fusing indie rock act The Quarantined, delivering this summer an incredibly original story and set-up, for the passionate and powerful Skeleton Chair.
The song reflects upon the idea of falling in love with something unreal – a figment of your own imagination. It’s a complex and provocative topic, the emotional depths of the mind proving limitless and poignant in this setting. What appears as a simple love song, actually runs far more deeply, and prompts consideration of the true wonder of the self, and the power of the mind in conjuring up a whole other seemingly sentient being to fall in love with.
This song impresses all the more so with each revisit. Think of those unusual pop songs that just work brilliantly, yet feel a little left of the expected – Drinking in LA, Somebody That I Used to Know. The kind of indie pop song you wish you’d written, and in this case, it’s perfectly captured and produced. An easy must for the summer playlists.
Music that means something, softly gathering an intimate groove, with lush, breathy harmonies, quietly whispering long-form, nostalgic melodies, and concepts that feel poignantly relatable. Dovetail unite smart poetic references with deep personal uncertainty, for the blissful escapism of raining here, too.
Inspired by the likes of Alanis and Adele as much so as AWOLNATION, Victoria Tyler’s music is unequivocally driven by a sense of purpose and artistic contemplation. The sound fuses genres with subtle freedom, and the emotional depth and unique melodies of these two singles underlines that beautifully well.