Unique from the offset, Erica Lee Martin’s Take My Picture is every bit the artistic alternative anthem its artwork and title imply.
Singles
Blending delicate layers of detail that seem to take subtle influence from various genres, the whole thing offers a mildly tribal feel, with engaging rhythms that quickly prompt interest in a live show.
A breathless delivery, smooth & impressive yet relentless from start to finish, accompanies a creative soundscape, with flashes of production detail & effects that help build the intensity.
Beautifully done, a strong contender for mainstream airplay and a great way to bring together alternative & popular qualities, even the vastness of the world’s music, within a single catchy & empowering anthem.
Fresh from the EP V, Kumbaya Party is a chaotic and colourful injection of energy, featuring fast fingers and retro electronic sound-play as it progresses through a plethora of different sections and moments.
Owl Green has crafted a catchy classic with this release, refreshing for its clarity and openness, infectious for its pop-like rhythm and colour and its clever use of melody.
Throwing fans another unexpected curveball, LA’s Love Ghost offer up a personal ode to a country they adore, by covering this renowned Japanese ballad Uewo muite aruko (English title : Sukiyaki).
Crystal clear production and smooth synths meet with scene-by-scene storytelling to set an intimate yet energizing mood for the brand new single from Florida’s Brightside. What begins as a likable electro pop beauty, soon evolves into a boldly uplifting, powerful alternative pop hit – one with a simple yet satisfying hook melody, and an overall … Continued
It’s a profound and powerful topic, explored honestly, in an engaging manner, and with a certain lightness and bounce that ultimately helps soften the blow.
Undoubtedly an eclectic, talented band, with lashings of integrity and soul to bring to the stage.
Pristine production and a clear love for the process unite in waves for this quickly infectious new single from Larry D Hawkins.
Taking full advantage of an unexpected, minute-long instrumental intro, Mark Royal showcases a deeper sense of artistry than most for what is ultimately a smooth and dark fusion of hip hop and alternative pop.