“Lyrically, life just inspires me every day. Songwriting has been a therapeutic outlet for me for over ten years and I can’t help but put my experiences into songs.”
Rebecca Cullen
LA’s Lauren Rosas returns this month with a brilliantly immersive new single and captivating video to compliment it.
Intended as a message of hope to other survivors or those currently stuck in this world, You Can’t Hurt Me No More speaks openly and emotionally, touching base on the issue of sex trafficking and reigniting the public’s awareness of it.
In many ways, Francis Bowie is a master chameleon, a champion for eclecticism, yet without sacrificing his sense of self at any point; far from it.
Leading with a touch of that country twang, a blues or folk-like soundscape, a quietly uplifting shuffle of a rhythm, and an almost trip-hop-like aura on the whole, the song strands tall on the strength of its own concept, and Kris Angelis more than delivers.
Embracing the contemporary tones of hip hop and RnB, yet with an impressively detailed and progressive soundscape, Balagosa drives with quickly memorable melodies on this single – short lines and a hook that draw you in from the offset and keep you rhythmically engaged throughout. Production-wise there’s a dreamlike quality to this track, it doesn’t … Continued
Ace Adams leads with a refreshing approach to sound design on this latest EP. Introducing a string of impressive features, 4 of a Kind opens up with a quickly likable, spacious and unique new beat, fusing the weight of hip hop with the retro soul of electronica and the more organic clap of pop.
Peaches takes the form of a classic trip hop single in many ways, igniting nostalgic connections to the likes of Portishead & Zero 7. The further along it moves though, the more it begins to pave its own way – the more intricacies you pick up on that effectively paint a new kind of picture.
Balancing a gorgeously organic Americana & folk-rock soundscape, with a hip-hop-soaked verse, country story-telling, and an overall energy that’s close to impossible to feel sad in the presence of, We Can gives listeners a real sense of that very sentiment implied by the title.
The leading vocal is notably accessible, that boy-next-door tone intrigues during the verses, then peaks with superb passion and vibrancy for the chorus, and meanwhile the instrumentation continues to weave an upbeat and musically satisfying web around listeners.
There’s an impressive level of unity between band members here – a quality that speaks volumes on behalf of their time together, their dedication to the cause, and their passion for the process.
Complete with an organic set-up, and clean, clear vocals that contrast well with much of contemporary music’s finishes, Heartbeat Of My Life is easily one of Wembi’s most energizing and memorable songs yet.