Following on from his single Play It Again, Darnell recovers from the fall out of post-Big Brother life, and leans into the world music festival energy of the moment, with the catchy hook and high-octane production value of Follow.
UK--Europe
Great songwriting, good vibes, a seamless voice that’s born to perform and connect in this way. Maria Monroy brings back the upbeat and colourful energy of indie pop’s past, with the catchy and live-band-backed Getaway.
Something cool, calm, and uncompromising – a strong groove, alternative but all-consuming, with delicate vocals that are intimate and honest in their self-reflective realism.
UK acoustic vibes blending long riffs and summertime world-music rhythms with conceptual depth. Akiva Zneimer takes us back to the lightness of the warmer seasons, with a song fusing rap and melody to that alt-folk bounce of a style once made underground famous by the likes of Will and the People.
Something cool emerges here, less density of lyric but lines that feel vast and impactful. It’s a shoulder-sway of an alternative track, a twist of organic trip hop adding further to the versatility of Tom Downing’s repertoire, and a personal favourite. We’re along the lines of the unexpected indie pop gems of Big City Life somewhat, only it’s new as ever, interesting, and musically satisfying.
Stripped-back realism that the music worlds needs to cherish right now. Tia Gostelow continues her Low Lights series, with the intimacy, gentle fingerpicking, and light and breathy vocals, of Always.
Visa Anxiety are perhaps unexpectedly cool, somewhat quiet and uncertain, but ultimately uplifting in their careful contrasting of tentativeness and confidence. The band are playfully honest, interesting, and creatively rooted amidst the sounds that get things moving towards the end of a long week. I look forward to hearing more.
Classic songwriting with a vintage twist of organic design to match – Bandtraxs and Frankie Boulter capture the essence and optimism of Christmas, with the re-release of an ageless independent single, called Sorry Baby (Christmas).
Introducing a bold and scathing look at the inescapable tsunami of tech-bro tycoons controlling the culture. UK alt-rock band The Hong Kong Dollars showcase the best of their passion and unity at the helm, with the mighty and unignorable single Kings & Queens.
Colourful but chilled production and gentle, distinct vocals carve out a quickly unique pathway, as singer and songwriter Valerie Badjan reflects on the ache of heartbreak after the exultation of new love.
Blending alt-folk anthemic charm with heavier rock rhythms and quality hooks, L.A.R.P storms into view with the mighty Love Ain’t Gonna Come in The Night, a touch of Ben Caplan to the style, then proceeds through five original tracks that prove equally evocative and performative, but quite boldly unconfined by genre.
One of the most distinct, freely playful but also stylish, catchy and quirky singles from this side of 2025. UK artist madanes brings indie charm and a conceptual twist of hilarity back to the modern scene, with the unforgettable single Your Dog.