Introducing a deserving creative duo, an acoustic to full-rock ensemble undeniably guided by intention and feeling above all else. Crown Mountain drive with talent and passion at the forefront, and despite the versatility of their catalogue, that quality rings loud every step of the way.
Songwriter
Creative performer and artist Grey Satana recently released the latest in a string of boldly original indie hits. We caught an interview with the musician and songwriter behind the music, to find out more about the process for Ms. Satana, the journey to this point, and what the future may hopefully entail. Here’s how it … Continued
Currently suffering from long-term autoimmune lung disease, Kristi’s courage and drive as a creative is incredible, and the tone and emotional depth of this release, the skill and celebration at its core, all resounds in a way that appears to completely deny any kind of health struggle at the helm.
Artistically intertwining a fearless degree of passionate conviction to the cause, with songwriting that poetically reflects upon a place and setting to really take you somewhere new. Shepherd Bridge whole-heartedly commits to the moment, with the theatrical rise and fall of the acoustic alt-folk gem Armor.
Time for something completely engaging, entertaining and thoughtful, with vocals and lyrics that naturally soothe. Outback Stormchasers are an elusive and impressive indie band, and Famous Last Words in the Multiverse is a genuine gem of an album for the year ahead.
Beginning with acoustic fingerstyle but ultimately featuring a full-band set-up, One More Chance welcomes Robert Allen on vocals, guitars and percussions, Bruce Engler on lead guitar, P.J. Farley on bass, and Tommy Mastro on drums.
Inspired by the allure and adventure of the Wild West, unique creative project El Mystery Kren recently launched their iconic new album of originals The Last Train To Durango.
Nina Nevra captures a sublime balance between soulful and impassioned empowerment, and the sheer addictive escapism and bounce of drum and bass. Settle is timeless, nostalgic but fresh – an anthemic gem and perfectly produced to let you truly lose yourself in the sound and intense euphoria of that drop.
The UK’s own Henry Charles masters the space with evocative, delicate yet purposeful vocals – a piano-led ballad with a twist of lyrical poetry to captivate. Plastic Stars is familiar but powerful, slowly extending its reach, evolving skilfully from intimate and honest, to impassioned and mighty at its peak.
Snappy and sharp country songwriting, an infectiously upbeat groove, and a melody that’s quick to sink its teeth in. Songwriter Bob L-A highlights the very best of his abilities in being whole-heartedly committed to the writing craft, with a catchy bounce, lyrical hilarity and scorn all carefully intertwined, for the brilliantly memorable Like The Garbage That You Are.
Todd Underwood consistently masters this meeting between surface level entertainment and the subtle but striking thought-process of an artist seeking to make sense of the world.
Nostalgic acoustic RnB with soulful harmonies and a heartfelt, scornfully honesty thread of lyricism. Kesha Lee takes things back to the bare essentials of songwriting and performance, with the naturally catchy, evocative, intimate and genuine single You Hurt Me.