Pairing the sound & rhythms of a simpler era, with upfront electric guitar solos, and a bluesy vocal that drives with intimacy & strength of melody alike.
Americana
Simple yet compelling song-writing sees easy melodies & short, repeated phrases tell a detailed, scene-setting story – with each segment resolving sweetly for an Americana-style hook.
Chris Ising brings the weight and soul required to kick off the year with this gritty yet melodic new blues-rock hit Baptized.
Offering classically warm and energetic, accessible vocals, tightly woven musicianship and a clear sense of passion from all involved – an easy anthem that quickly lifts the mood.
There’s a slightly Johnny Cash-like aura to the verses and this particular choice of melody, with a Tanita Tikaram twist to the groove.
A brilliantly relevant hit of realism and optimism united – perfect for these trying times we’ve been facing.
Fresh from the AUDOIR creative headquarters, an interesting step forward for songs written with AI technology.
Driving with the sort of festival-ready, organic Americana & blues-rock core that quickly invites interest, Fallen Lord goes on to balance quality riffs with equal parts distortion & clarity.
Gorgeously resolving after each fiercely emotional build-up, with this sentiment that reaches across the individual story & into the lives of the audience – ‘some have it all, take your time we’re not here for long’.
Mandy McMillan’s return this season brings a beautifully ambient, classic country set-up that’s quick to calm the room.
Always an act worth pausing for, though your stillness will be brief in this case – Shane Scarazzini aims higher than ever with an addictively energising, folk-rock knees-up entitled West Virginia Girl.
Driving with absolute strength of song-writing and a beautifully crisp, organic pop-rock set-up, Alex Su’s Open Call engages and uplifts in a gorgeously classic fashion.