As an introduction to the introspective and revealing poetry of this project, Armour is superb – a relatable resolve proving inclusive and melodically satisfying, with deeper-seeking verses that shine a more specific light on the intricacies and weights of living with autism.
Alt Pop
Gaming and music pioneers Play’n GO join forces with singer-songwriter Niamh Ni Mheara, for an ethereal to euphoric journey through delicacy and vastness.
The dark-pop theatrics and haunting vocals of Stephan Folkes meet with boldly eclectic production and storytelling, as the UK songwriter and artist delivers his anticipated ten-track album Hazard.
The simplicity of an old-school rhythm boldly elevated by a huge modern production and piercingly relatable concept. Peter Lord gifts Prince-like vocals and unrelenting passion, to a cinematic audio explosion (rightfully so), for the enchanting and unforgettable BOOM.
Electrify My Heart leans towards eighties tumbling rhythms and vocal harmonies, almost Kate-Bush like in its theatrical presence and emotional depth, for a catchy song of desperation and subsequent connection that’s profound and evocative. The soundscape is organic and multi-layered, the crescendo is huge, and the energy – the passion of the chorus and peak – helps make this another defiant highlight, and a superb introduction to the delicacy and drama that walk hand-in-hand throughout this EP.
Conceptually united expressions of love, connected by stylistic threads of reverb and playful design – an aptly-titled artistic corner… Still Haunted presents stories of wonder, nostalgia, and inspiration, with Aren’t All Songs About Love?
Acoustic musician and songwriter Summer Redstone leads with a much-welcomed dose of clear authenticity as a modern artist. The sheer feeling and delicate intensity of her two recent singles highlight a sense of talent and purpose in the field, Summer’s voice meandering through long-form melodic musings, backed only by an acoustic guitar, and delivering a fine balance between the familiar and the impressively original.
The whole album is sensational, in my view. Interesting and engaging, with sublime vocals and performative diversity throughout. Easily one of the most impressively original and genuine projects of the year so far. Listen in full.
The boldness of bass music and performative, confident rap – a hard-hitting anthem and sharp set of smart, concise bars – Crystal Lalucci captivates and awakens, with the sheer swagger and distinct dance production of Beat Pop.
Quirky indie-pop with an instantly distinct artistic quality. Brooklyn’s Ben Silby delivers a minimalist but soulful introduction to the brand new album Can’t Hang, and proceeds to build upon that performative quality throughout the project.
“I don’t want to be one thing, so I’ll be nothing.”
Cinematic exploration, heavy bass and intriguing, mysterious vocals – something like nostalgia from the days of Massive Attack – all introduces this creatively unique debut album from Chicago songwriter and artist Cosmos Ray.
Utah songwriter and devout creative Richard Tyler Epperson forever leads with an original sense of structure and production that’s unlimited by genre or expectation. His latest work, the full-length album Fragmented Night, is a colourful and impressive testament to that consistency and talent, and it delivers an engaging fusion of familiarity and outright unexpected design.