This is a fine example of vocal and songwriting depth that effortlessly captivates, creating a fresh space for contemplation and wonder, and utilising just a few humble traits from the likes of folk and gospel music to really light up that approach.
Songwriter
Introducing a conceptually and musically engaging new EP, from an artist with stories to tell and enchanting, long-form melodies to weave. Nighttime Chronicles depicts a piano-pop to cinematic rock fusion of influences, ultimately led by the smooth and poetic vocal thread of Esteban; an artist committed to the escapism and depth of creative expression.
Sometimes it feels like modern music is in a rush to connect – like it has to be, because attention spans won’t stand for anything else. Real art isn’t made that way though, music neither. It emerges from a creative space of contemplation and expression, a desire to understand either oneself or the world at large.
In my opinion, this is categorically the most memorable, musically satisfying, and perhaps emotionally impactful song from the extensive Bad Bubble repertoire to date. It’s a step in the direction of simplicity and realism in both the clarity and boldness of the voices, and in the honesty and relatable authenticity of the lyrics. The opening reference to Occam’s Razor is decidedly fitting; sometimes the simplest answers are the best.
New music from the unmistakable Big Bus Dream brings a clean and clear production, with those expressive and distinct vocals upfront and centre. It’s an emotive and uplifting ballad of sorts, with a twist of joyful pop-rock and playful production, and it marks a welcomed return to the songwriting finesse of the band.
A superb introduction to an artist with a certain humility and effortlessness to her clear talent at the helm.
Elliot Wren’s return this season brings a heartfelt and intimate pop song, with unique underlying production, and a stylish lyric video to help reinforce the optimism and celebration of the writing.
Delicate solo harmonies and dramatic piano create a compelling opening dynamic, as Liz Davinci proceeds to craft a chamber of poetic contemplation, for Adamas.
Impassioned rock with a neo-classical undertone and contemporary electronic effects – CellaFox places its singer and concept in the spotlight, for the evocative and thought-provoking Land Of Hope.
A joyful anthem on the one hand, from a distance – an altogether-now ode to the beauty of musical unity. But on the other, a unique take on missing someone, on the feeling of having cared for someone who could ‘read the stars’, but was never able to ‘see the starlight in me’.
Originality and intrigue, conceptual depth and purpose, presented in a kind of hazy, nostalgic grunge softness initially, later evolving through heavy production and effects. viceservices accesses the depths of our shared existence, with the bold and evocative heretic.
Lifelong creative and indie favourite Rasmus Fynbo, standing tall on the back of over 25 years of experience as a musician, releases this season a stunning collection of original tracks – in collaboration with the wonderful vocals of Argentinian singer Camila Castellani.