Lush songwriting and equally ethereal, colourful and consuming production. Raymnd captures a fine sense of escapism and story, with the natural embrace of Godspeed & Goodbye.
Songwriter
Bringing serenity to the apparent chaos of a traveling lifestyle, the subtle warmth and harmonised beauty of Irène Schrader’s trilingual EP ECLIPSE is deeply enchanting and calming to let play.
Great songwriting, good vibes – a kind of careful fusion of pop-rock energy, synthpop brightness, and intimate, even delicate singer-songwriter warmth. Peter DiMaggio impresses and connects, with the unique and modest but timeless Fly Away.
Creative originality intrigues and connects, captivates in a refreshing way – a project of stories both mysterious and poetic. Liz Davinci captures an air of abstract contemplation, with the brand new album Materia Prima.
From the Vienna-based songwriter who brought us Dream On, Finally Home For Christmas is a welcomed twist of indie realism and power this Christmas. Benjamin Andrews sets the scene well, a timeless tale reimagined with an air of alternative piano-rock and a mighty rising energy.
“The one consistent theme in human civilization has been progress towards more automated processes, and the people that felt left behind by that, having to adapt to the new world.”
Based out of Bath in the UK, home of the very first songwriting MA degree course, Francesca Tamellini brings an edge of individuality and honest charm back to indie pop. Her long-form melodies, unfiltered vocal styling, the raw sound and simple pairing of piano and lyric, all points towards a sense of genuine expression and freedom at the helm.
Sublime new music suddenly hits the airwaves, an already impactful Amanda Aponte reaches peak vocal and lyrical embrace, for the emotional depths and enhcnating melodies, of what i didn’t get to say.
Immediately striking up a sense of deeply evocative heartbreak and optimism united, Peace For Everyone shines light on a completely different side of Christmas to volume one. The season was kicked off with joy and upbeat dance-ready brightness, and now we settle down to consider, to wonder, and to rise up, with the stripped-back soulful intentions and boldly euphoric passion of this new opening track.
Parallel Acceptance is a tearjerker of a listen, the perfect soundtrack to lose yourself within, to shake out those aches of uncertainty, lostness, regret, and to feel understood and strangely comforted, by the universal weight of disconnection.
Sublime nostalgia, in topic and tone – a lo-fi organic soft-jazz arrangement and lush, intimate vocals resounding together. Noah Milanovi and his band capture a moment of warm reflection and gratitude, for the wonderfully ambient los discos de los 70.
Noting a powerful and dark opening line, Nail Me to a Tree is gritty, fascinating, and incredibly brief – less than two minutes of music, a moment captured in time, and a distinct kind of storytelling and liberty to the sound. No doubt further BJ Rexwood singles will prove recognisable once you’ve listened to Nail Me to a Tree.