Offering a hint of an Outkast influence in the vocal tone, and in the creativity, Bad Chick ultimately marches to the beat of its own drum – and delivers a level of admiration for the women in life who do the same.

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Pushing the creative boundaries all the more so with perhaps his most heartfelt and poetic release yet, Miami’s D.Tech blends engaging melodies with sublime imagery and a soundscape designed to melt away your anxieties.

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The role of art and music with such a specific backbone is to provoke a certain shared manner of thinking – these topics need to be discussed, and this is where that conversation ultimately begins; with music, or art, which kicks up a fuss, grabs attention, and refuses to be ignored.

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Fusing the delicacy of a seductive guitar tone with a compressed beat at a comforting pace, Dylan proceeds to offer an intimate, up-close and personal vocal line, which meanders through a simple melody; leaning softly towards hip hop in consistently effortless ways.

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Verde Rose kicks off 2020 with an easy hip hop anthem that utilizes a few simple elements and layers, offering up a smooth hit of intimacy that more than lives up to the metaphorical implications of the title.

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Fusing the set-up and specifics of studio life, with the debauchery and carefree mindset of an all-nighter, Where The Party At proves both nostalgic and fresh, hitting with simple intentions but showcasing the style and identity of Stony Boy in the same instance.

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Freshly kicking off a string of original releases from the London-based rapper and artist, Six Numbers is a beautifully complex, poetic and deeply human track, which showcases a refreshing side to contemporary hip hop.

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Topically detailing mental health issues, isolation, alcoholism and drug abuse, Rose Colored Glasses begs for a brighter view of the world. It’s a deeply relatable concept and Farris’ openness is undoubtedly one of his strongest selling points.

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Living well and truly in the moment, Christopher A. Taylor strives for spontaneous creativity through and through. His last album release was the aptly titled 10/31/2019, and like all of his work to date, the project features freestyle raps exclusively.

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