That’s the intention of much of Irene’s music and performances, to engage and entertain – to get people dancing, to bring them together. It’s a skill that stands tall throughout her career and recording repertoire, and it continues to inspire and uplift with each new chapter and style.
Dance
Classic Pop songwriting at an EDM-ready pace meets with cascading synths and unorthodox traits akin to a more neo-classical realm – Northern Ireland’s Amie Woodhouse brings the sultry hook and floor-filler vibes all at once, with Hypnotic.
Creative film composer Will Bates incites a multitude of emotional reactions, with the infectiously melodic, quirky yet enthralling tones and ventures of The Pirate Album.
Versatility is a strength, but so too is the defiant ability to understand and consistently connect with the roots of the genre, and Adam Collins has mastered that balance with both heart and skill. The Get Me Started EP is an easy must for global dance music venues across the board – a timeless yet crisp and contemporary addition to the everlasting scene that continues to bring people together.
Creative producer Offstage prides his artistic approach on versatility and precision, delivering the vibes as well as the unique individual traits that help carve out a memorable repertoire.
Rising anticipation carves out a keys and synth-led ambient dance vibe, with intimate vocals and personality at the forefront, as Deep Transit returns with the aptly atmospheric new single Just Looking At The Sunset.
Instrumental composer and producer David Ratmoko, inspired by a breadth of musical corners from eighties synth-based to traditional and neo-classical, delivers the very best of his intoxicating creativity, with the vast and immersive, distinct yet deeply involving single Prelude Three.
Introducing a huge production and a respectably honest hit of songwriting – long-time musician and composer Johnny Minkley joins forces with the gently distinct vocalist Laila, for the celebratory yet heartbroken depth of I Didn’t Deserve Your Love.
Featuring loaded productions of multiple synths, bass, relentless but light rhythms and occasional vocals, Nite sees the multi-instrumentalist Mathias move away from the organic and into the programmed world of samples, synths, and LFOs. The result is an impressively melodic, often euphoric listen, that falls somewhere between the likes of raver EDM and Daft Punk.
Impressively creative, melodic and light – a project quite perfectly titled. Chill Guru Beats sets the mood with acoustic fingerstyle guitar and euphoric ambient design, for the five track EP Dreamscape EDM Project (Vol1).
Euphoric House production and passionate vocal storytelling unite, for the anthemic escapism and ode to the joy of the rave that is Chiron Loxton’s Right Now.
As things evolve, the intense distortion and fog of the vocal and fuller soundscape injects a clear redirection of character – another balancing of lightness and weight, amidst a strangely intoxicating or dreamlike audio set-up.