Featuring the perfect balance of slick, distorted riffs, high energy, the roar and melody combined to create pure impact, BLOOD DRIPS leads with an hypnotic level of rising anticipation, following whispered, grunge-like vocals through tuneful verses, towards the full rock explosion of an instrumental drop.

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Why this title? What connects these ideas and feelings? There’s so much to unpack, and yet at the same time, the cinematic presence and performative charm of the project lets the music simply engage with and entertain its listener. In short, Pertinax is stunning, and impressively free in its artistic and playful creativity.

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McKay are an act upholding the realness and talent of organic, man-made bands and songwriting, at a time when we need that more than ever. They write youthfully fearless, thoughtful and intelligent lyrics, with fresh melodies and blissfully harmonised performances, and for all of these reasons, they’re a personal favourite act from the past couple of years, and Casino is incredibly special as an original project.

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No-one breaks down the limiting walls of genre and expectation with more ferocity and style than HOLYMAMI. This summer the eclectic and unpredictable artist launches a five-track EP of originals, and the intriguingly titled TRAP THERESA is every bit as artistically uninhibited and creatively free as fans have come to hope for.

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Utah songwriter and devout creative Richard Tyler Epperson forever leads with an original sense of structure and production that’s unlimited by genre or expectation. His latest work, the full-length album Fragmented Night, is a colourful and impressive testament to that consistency and talent, and it delivers an engaging fusion of familiarity and outright unexpected design.

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