Indie music raising the bar as ever for the true and expressive creative freedom that drives things forward. Zuko Sian captures something cool and artistic, a sound rhythmically dancing between alt-folk festival vibes, hip hop, RnB and alternative pop or trip hop.
Alt Folk
Organic loops of instrumentation and voice, poetic and personal ideas resounding and lingering – an ambient but largely acoustic presentation, of songs that feel both revealing and mysterious in their vague bursts of both joy and sadness. German songwriter and artist Rico Friebe releases a brand new double album, in the form of the mighty The Desire Path / The Open Glade.
“I want to create a space in music where time moves differently. I want to give comfort even in uncomfortable themes or emotions, so that the music is a place where other people who relate to these feelings and ideas can go and feel that comfort too.”
Creative originality intrigues and connects, captivates in a refreshing way – a project of stories both mysterious and poetic. Liz Davinci captures an air of abstract contemplation, with the brand new album Materia Prima.
Parallel Acceptance is a tearjerker of a listen, the perfect soundtrack to lose yourself within, to shake out those aches of uncertainty, lostness, regret, and to feel understood and strangely comforted, by the universal weight of disconnection.
Blending alt-folk anthemic charm with heavier rock rhythms and quality hooks, L.A.R.P storms into view with the mighty Love Ain’t Gonna Come in The Night, a touch of Ben Caplan to the style, then proceeds through five original tracks that prove equally evocative and performative, but quite boldly unconfined by genre.
Western country wonder, Latin rock swagger, and vocals that evocatively cut through the noise with unmistakable character and raspy, expressive depth. Billy Ray Norris proves a songwriter unconfined by genre, intent on telling stories, gifting melodies and grooves, across a plethora of different songs and styles.
There’s so much to witness, notice and unpack, but in short, Sad Dad Autumn have settled upon a sound and songwriting approach that’s entirely their own right now. If you’re interested in the feelings and stories of grief, in Greek mythology, the natural world, and the cinematic possibilities of organic music – The Great Dying is a rather spellbinding place to lose yourself for a while.
Folk-punk, blues-rock and Gypsy-jazz brings stories of traditional and modern poetry, as Until They Burn Me launch their sensational, impressively organic, melodic, gritty and infectious new album, A Carnival of Reveries.
Charming creativity gifted songwriting that’s fearlessly confronting and honest. Nathan Stiteler recaptures the artistry of singer-songwriter exploration, with the raw and unique sentiments and stylings of Curse Words (Hopeless, Thoughtless, Fruitless.)
Unconfined by genre is the songwriter who writes because there is no real alternative. The songs are the answers to our inner conflicts and concerns – they provide solace, an outlet, and some kind of clarity, and you can feel that as an observer of Paper Crown. The authenticity is impossible to fake, and the emotion woven into each performance, each original song, reinforces that throughout.
Chaotic folk-punk moving into psychedelic dream pop – the gritty guitar sound, the smoother alternative flair, the colourful structure and storytelling with a twist of darkness. Original melodies and stories bring through an indie freedom grounded by a brilliant hook, as Brighton duo FATECRIMES blend genres with pure artistic commitment, for their latest single SUMMER THUNDER.