A brilliant new release, a melodically addictive and energizing soundscape and performance, paying tribute to Skunk Anansie as much as classic driving anthems and even alternative blues rock and roll. The Merrin sound is something of its own right now.

Rebecca Cullen
Nobody creates in the way that Seth Angerer does, and certainly not to this degree of professionalism. His creative flair runs wild yet still the stunning musicianship and sound design works hard to impress and captivate right the way through.
Fusing a thoughtful and passionate hip hop core with a brilliantly unexpected soul-rock structure and sample, the track is nothing like you’d predict it to be, yet it’s everything you could hope for in an original, alternative and addictive song.
The Other Side Of Love showcases a distinct set of qualities that appeal on a deep and addictive level. The opening guitar delicacy, the gentle rasp and increasing passion of the leading voice, the poetic and thoughtful lyrics, the rising intensity, the eventual raw rock energy; all of this works gorgeously within.
Without doubt, a personal favourite from the Dingazz Music catalogue to date, and a gorgeous song regardless of genre or style – a perfectly calming reminder that things will be OK in the end.
“The main values I want to bring to the music world are Originality, Transparency, Clarity and Class. You know, the ability to keep making and delivering something undiluted, music that doesn’t sound like someone else’s – standing out is the deal.
The beat is superb, fusing a little of that dance-hall bounce with a more melancholic aura that helps highlight the underlying truth and emotion of the song.
Enzo’s attention to detail, backed up by a clearly emotive and heartfelt way with sound design, makes for an easy go-to when escapism or the warm embrace of volume is all that’s on your mind.
Stunning vocals, simple yet effective, passionate and emotive – these ride along the top of a professionally crafted soundscape that showcases a somewhat humble yet impressive gathering of musicians.
Images of death move into those of love, this descending and then rising chord pattern and melody soon show themselves to be of a surprisingly anthem-like nature. It feels almost like a national call – a huge moment of togetherness. Then it all falls away, and the quiet crackle of a dark room grips you once again.
Standing tall on the knowledge that sometimes songs need to hibernate for a few years, Mostacho Xprmnt knows that good art can’t be rushed, and the final release of Ocean – six years after its initial creation – speaks volumes on behalf of that.
As a producer, speakea𝟝y describes his music as ‘angsty millennial type beats’. Perhaps this is the perfect way to define his approach, but there’s far more to the sound and experience of this project than a simple four-word phrase can express. Depth and substance play a huge part, lyrically and in terms of the emotion and mood that each soundscape presents you with.