The DJ Westwood repertoire is familiar and undoubtedly soaked in modern effects and details. There are plenty of earworms and anthems to seek out.
Rebecca Cullen
“Stay humble; the music industry can be tough, and the online beat-selling game is no exception. Keep your chin up and always strive to do your best.”
Lyrically optimistic in its poetic imagery and reflection, After The Rain presents an echoing chamber of ideas, set amidst a funky dance backdrop both nostalgic and distinct. The sound is in keeping with the Deep Transit artistic flair – a playful and uplifting ode to positivity and freedom of design.
Introducing a brand-new original sci-fi storytelling podcast – The UK’s own Tales From The Void Above presents a range of intimate and immersive stories, from the depths of a vast and dangerous universe.
It’s a cover of the classic song Congo Square – written by Sonny Landreth and brought to fame by The Neville Brothers – and it brings forth a timeless appreciation for jazz, funk, soul and the sheer joy of live music.
Following on from the fiercely immersive genre fusion of Adagio One, rising artist and composer David Ratmoko manages yet again to enthral, engage, and impress modern listeners, with the darkness and hypnotic depth of Adagio Two.
Capturing a unique corner of Techno-Pop, Dubai’s Moonlit Glow is an intensely euphoric arrangement of synths, keys, rhythms and vocals, offering precisely the kind of drop into finely-crafted chaos and energy expected, alongside a poetic thread of images and ideas appreciating the late-night skyline of Dubai.
“Re-Inventing the Runway” brings humor and attitude to the front row, showing that the future of fashion isn’t just about clothes; it’s about creativity, technology, and a whole lot of fun.”
This is a fine example of vocal and songwriting depth that effortlessly captivates, creating a fresh space for contemplation and wonder, and utilising just a few humble traits from the likes of folk and gospel music to really light up that approach.
Complex artistic sculpting akin to the days when each single was a creative ode to a story and sense of intention. Jared Hara builds up the presence and depth of The Chase brilliantly, evolving from these dreamy trip hop beginnings of quietly whispered vocal melodies, to the full-throttle pace and weight of pop punk and new metal at its peak.
Souvenir is a dark and dystopian kind of hard-hitting dance track, but there’s also a softness and mystique to the vocal stylings and the underlying warmth of the mix. It’s a style of his own, in essence, and with the additional twists of flair brought through with the Ormus Remix, we’re reminded of the freedom of creative originality, and the true escapism of thoughtfully crafted electronic music.
Ari Fraser masters both the conceptual and production sides of the spectrum, incorporating world music tones and riffs as per his extensive and creative repertoire, but as ever carves out a whole new journey for music fans across genres to appreciate.