Noting tens of thousands of monthly listeners, Elton Adams is a Canadian war veteran, with twenty-two years of service under his belt. His experience as a musician spans throughout those years until now, with performances in Afghanistan helping secure his passion and joyful approach to making music and entertaining the masses.
Music
Nina Nevra captures a sublime balance between soulful and impassioned empowerment, and the sheer addictive escapism and bounce of drum and bass. Settle is timeless, nostalgic but fresh – an anthemic gem and perfectly produced to let you truly lose yourself in the sound and intense euphoria of that drop.
The UK’s own Henry Charles masters the space with evocative, delicate yet purposeful vocals – a piano-led ballad with a twist of lyrical poetry to captivate. Plastic Stars is familiar but powerful, slowly extending its reach, evolving skilfully from intimate and honest, to impassioned and mighty at its peak.
Organic music that just works, connects and needs not to be analysed. NoCopyright capture attention for the sheer seductive groove and vocal prowess of their opening moments, as Fellow Song slowly but surely tightens its creative grip.
Fiercely energising hyper-techno, carefully contrasting breathy and intimate vocals with relentless techno rhythms and old-school synths and samples – akin to the dawn of at-home producers. Lucy Duffner masters the space with confidence and character, for the nostalgic party anthem that is FRITTY BAR.
Digital composition is timeless in many ways, and when the music has this organic, natural and profoundly human feel, it’s all the more important and valuable, when piercing through the noise and artificial electronic design of late.
alancing delicacy of style with depth of substance and occasional scorn, this track features a modern trap rhythm, and a rise and fall melody fusing emo-rap and RnB throughout a heavily confronting, gritty and unignorable story.
Snappy and sharp country songwriting, an infectiously upbeat groove, and a melody that’s quick to sink its teeth in. Songwriter Bob L-A highlights the very best of his abilities in being whole-heartedly committed to the writing craft, with a catchy bounce, lyrical hilarity and scorn all carefully intertwined, for the brilliantly memorable Like The Garbage That You Are.
With a growing audience of global fans enchanted by his evocative vocals and limitless confidence as a performer, Scott Young has built a following from his original music and dance performances combined.
Todd Underwood consistently masters this meeting between surface level entertainment and the subtle but striking thought-process of an artist seeking to make sense of the world.
A non-intrusive but lingering melody and build up, near-euphoric at its musical peak, and even at a rather extensive six minutes in full, the song confidently persuades you to listen more than just once or twice – to lose yourself in the sound all over again; in this softly passionate call-out for connection.
Nostalgic acoustic RnB with soulful harmonies and a heartfelt, scornfully honesty thread of lyricism. Kesha Lee takes things back to the bare essentials of songwriting and performance, with the naturally catchy, evocative, intimate and genuine single You Hurt Me.