Originally an acoustic guitar stomp of a track with a Taylor Swift-esque story and tone, That’s So True is completely reinvented under this light. Jon has taken the vocal in full, slowed things down, and injected a heavy dose of distorted synth chords and a mellow slap of a rhythm, to give the song a deeply consuming and ethereal style.
Producer
Self-penned as electronic instrumental music, the idea with Inverted was to capture a harmonic area / modal mood in contrast with its inner movement, ‘achieved through using inversions of the chordal structure’. This stylistic approach could then artistically represent the emotional state of an individual with a multi-layered humanity about their daily experience – something relatable but ultimately very personal.
Soaring EDM soundscapes and evocative lyrics and melodies – an impassioned performance elevated by intricate, purposeful design; cascading layers of synths, rhythms, bass, and immersive contemplations.
Aries21 is a lifelong songwriter come modern producer, and Just a Bad Dream marks a euphoric introduction to his style.
In the case of this latest release, the unmistakable voice of Sarah R Jay resounds amidst a dreamy and euphoric composition – a simple melody, sensational drops into blissful energy and escapism, and lyrics that paint unignorable images of peace and prosperity in life and love.
Swedish composer and musician Brebu commands the stillness and calm, with the beautifully delicate and purposeful tones of his instrumental work Carved Waves.
Crafted around a sort of haunting and delicate ambiance, with a consistent drum and bass rhythm that’s familiar but non-intrusive, the track is all at once nostalgic and confidently original.
Stunning production, performance and writing unite beautifully, as Davide Carbone and singer Kate Watts continue to ride the wave of their sensational Drum and Bass single Finding Myself.
From the leading riffs to the gentle vocal front and the easy hi-hat and clap groove consistently guiding the way, Your Nightclub Needs You modestly reflects upon the incomparable euphoria of nightclub escapism, and essentially rebuilds that embrace by way of a surprisingly original, genre-blending composition.
Unsettle and entertain, be original but engaging and effective – provide unrivalled electronic escapism – boxes all finely ticked by the eclectic and bold repertoire of Ad al Maar.
Nina Nevra captures a sublime balance between soulful and impassioned empowerment, and the sheer addictive escapism and bounce of drum and bass. Settle is timeless, nostalgic but fresh – an anthemic gem and perfectly produced to let you truly lose yourself in the sound and intense euphoria of that drop.
Fiercely energising hyper-techno, carefully contrasting breathy and intimate vocals with relentless techno rhythms and old-school synths and samples – akin to the dawn of at-home producers. Lucy Duffner masters the space with confidence and character, for the nostalgic party anthem that is FRITTY BAR.
Digital composition is timeless in many ways, and when the music has this organic, natural and profoundly human feel, it’s all the more important and valuable, when piercing through the noise and artificial electronic design of late.