Norway producer Indieclimb impressively brings together the evocatively ambient and the boldly intense. LEGACY is a fascinating original track, built around the unique pairing of a siren-like riff and atmospheric synths that emotively descend underneath it.
Producer
Big beats and euphoric synths, a mass of detail united within a dreamy blanket of escapism – Bryyo kicks off the hypnotic EP Past, with the pristinely ethereal tones and hopeful melodies of Visor.
It’s a devastating ending, but the calm and quiet of the music, the humility and tiredness of the vocal, all counters the impact of this – making it feel like a necessary surrender of sorts, to the unsolvable desperation and ache of searching for someone who can’t be found.
Letting creativity lead the way – nostalgically inspired but artistically modern, with a crisp finish and a dark, seductive overall groove. XyXa captures the essence of romantic entanglement, with the addictive stomp and dramatic strings of Tango Insuperable.
Unique and effective production amidst deeply honest, evocative lyrics paves the way for a whole new sound in modern dance-pop. Molli launches an intoxicating debut single, uniting alternative flair with snappy, catchy resolves that naturally linger in the mind.
Continuing the creative climb, the latest single from an ever-mysterious Love The Magician emerges in the form of a multi-layered, colourful and calming instrumental – a synth-pop arrangement of cascading layers that work towards a dreamy overall finish.
Known for her iconic and alluring mixes, DJ Minx 305 captures a timeless fusion of electronic escapism past and present, and continues to celebrate an inherent passion for blending different vibes and styles into one harmonious mix.
Originality and organic inspiration unite brilliantly for this release, a producer making fine use of both professionalism and playfulness at the creative helm. Mario Tha Great (MTG) connects with artistic flair and consistency combined, for the quickly recognisable tone and tempo of Ascend.
Organic electronic rhythms both consistent and perfectly compressed for that tribal-hypnotic escapism of a timeless genre. D.J.NATHAN.FRIBERG captures the essence of old school house music, with the simplicity and slick appreciative style of Speaker Movement.
Introducing a compelling collaborative project, an album uniting the depths of contemporary poetry with the limitless embrace of creative production. DJ Jace and R.K. Gandhi join forces to provoke and inspire, with the bold escapism and gripping topical implications of the Red Pill Rhymes Experience.
Originally an acoustic guitar stomp of a track with a Taylor Swift-esque story and tone, That’s So True is completely reinvented under this light. Jon has taken the vocal in full, slowed things down, and injected a heavy dose of distorted synth chords and a mellow slap of a rhythm, to give the song a deeply consuming and ethereal style.
Self-penned as electronic instrumental music, the idea with Inverted was to capture a harmonic area / modal mood in contrast with its inner movement, ‘achieved through using inversions of the chordal structure’. This stylistic approach could then artistically represent the emotional state of an individual with a multi-layered humanity about their daily experience – something relatable but ultimately very personal.