Introducing a huge summer jam, a big-bank funk-rock release, capturing aspects of disco and pop-rock across an uplifting sentiment and style. Dominick Keath brings catchy positivity and organic musicianship back to the forefront, with the infectious good vibes of an aptly-titled Rise And Shine.
Pop Rock
Uniting talents from the UK and Germany, The Lovekiller drives with a smooth electronic-rock soundscape and faultless vocals, progressing through a rising pop verse, towards a memorable hook – a moment that leans mildly towards the softer offerings from a timeless No Doubt.
LA singer, songwriter, multi-instrumentalist and vastly streamed artist – Adam Exler has gone from strength to strength in extending his original repertoire of music over the years.
From the upcoming EP Elemental, Watch The World Burn is refreshingly genuine and compelling from a lyrical perspective, injecting a genuine sense of conceptual depth and poetry into the timeless energy and embrace of pop punk, and in the process reminding us of the talent and infectious energy of King Of Cups.
From the upbeat Owl City electro warmth and anthemic peak of Rearview Mirror, the energising nature and thoughtful undertones of this album are made clear, and as we proceed into the heavier rock energy and tempo of Guitar Hero III, suddenly that nostalgia redirects us towards the Tony Hawks soundtracks and beyond – another fork in the road that’s unexpected but satisfying.
Jakob Kupferberg returns – the unmistakable Jakob The Liar, as unpredictable and fascinating as ever; this time tackling a heavy political landscape head on. Paradigm $H!T is the new release – conceptually provocative, stylistically unconfined, with a bold set of visuals to reinforce the performative flair and angst of the writing. Quickly evolving through this … Continued
Eric’s latest single is a track entitled Free – perhaps a fitting representation of the feelings the artist associates with both making music and his youthful memories; that natural ability to live purely for the moment – not consumed by the past nor worried for the future.
Great riff-work, a strong groove and a clear organic recording that really takes you to the centre of the live performance. Canadian band Low Winter Sun deliver a smooth-sailing blues-rock hit that’s infectious and thoughtful, with Perpetual Motion.
The UK’s own Harrison Rimmer reignites the short lines and upbeat energy of pop-rock from a simpler time. Ripped Up Magazine feels like a slept-on single from the likes of Goo Goo Dolls, but it also quickly injects its own sense of clear identity and feeling, and this becomes a true quality of the Harrison Rimmer sound and style.
Soulful pop-rock with stunning vocals, a poetic songwriting thread and catchy melodies, organic grooves – a touch of harmonised wonder to light up the bigger moments. MCVEIGH capture a lane somewhere between the likes of Sam Fender and Nothing But Thieves, with The Thief Of Leaving.
Glaswegian indie duo The Sundown Social Club let emotional depth and melodic warmth guide the way, as their nostalgic yet vocally fresh storyteller of a single Everybody Needs a Dodge softly pierces through the noise of the scene.
Great production lets the natural rock energy and vocal prowess of Sunrise in Jupiter shine beautifully, for the euphoric summer anthem Take Me Home.