Impressively engaging for a new starter in production and sound-design, Don’t Do This features a timeless groove and a riff and effect-line just quirky enough to really blend the melodic and emotional tones with a clear sense of character and rising anticipation. We’re in a sort of early Fatboy Slim arena, a playful instrumental realm of sweeping synths and more clean-cut riffs alike, all separated by the opposing sections of this ongoing rhythm.
Singles
Conceptually personal in its intimacy and contemplation, there’s something also quite familiar about these reflections and ideas – as well as about the instrumental build. We approach the mid-section and the track switches gears entirely – a new leading riff, a clear vocal passion and grit, and an overall sense of sudden hard-rock inspiration to really bring home the changing emotions of the song.
An easy three chord strum, a vocal depth that’s distinct and calming, with short lines that follow a simple and memorable thread of melody – Check is an ode to the sheer pleasure of making music for a living.
Intertwining political integrity and conscious bars both confronting and personal, Smoke&Bones essentially achieves a fine balance between the sheer confidence of Hip Hop and the more purposeful undertones of independent rap and songwriting that stands the test of time.
A stunning example of the songwriting and musicianship, the vocal prowess, that Robert Tepper effortlessly presents – Time Just This Time is a catchy yet unconfined and timeless hit, a reverb-kissed ode to a simpler era in music, but a powerful and cinematic gem in its own right. Beautifully done.
A progressive journey but one well-rooted by the unmistakable vocal hook and character found throughout, Symmetry is perhaps Coda Nova’s most ambitious track yet, a quirky exploration of particle physicists who find themselves in deep water, and an instrumental explosion that’s immense; but the band have mastered that process
Built around a refreshingly simple yet increasingly fast-paced beat, Reality leads with good vibes from the outset, and depicts a leading rapper with a clear story to tell and a series of from-the-heart reflections to shine light on.
Three new releases from UAE creative producer Sarah R Jay continue to showcase the diversity and depth of her sound. Crossing the Tempest and 300 Fallen Heroes mark two new cinematic instrumentals, and both will be accompanied by EDM remixes in the very near future.
Featuring the additional talents of Rick del Castillo, Hello Houston is an upbeat earworm at its core – a timeless kind of Bruce Springsteen-inspired ode to the melodic and distorted passion of rock from a simpler era.
This is something fearlessly original at present, and yet it’s also broadly appealing, creatively engaging, and instantly recognisable. That’s an uncommon fusion of qualities, and as such, Ivano Bersini has crafted something rather profound with Poems.
Building up beautifully as it gathers momentum, dropping in for an infectious hook that’s fully loaded and wholly contrasts the intimacy of the verses, Want Me Dead is both familiar and unorthodox in its blending of the standard pop-rock set-up and this fearlessly gritty conceptual journey.
Following the simple strum of largely just two chords rising and falling, as well as some humble backing vocals when the energy grows, Icarus builds up unexpectedly after these opening folk-pop moments. The resounding chorus is distinctly catchy, “oh I know, I know, I know” appearing with volume and fluidity; a nostalgic nineties-esque twist that quickly elevates the entire sound and memorable style of the track.