Catchy synths reverberate for a disarming opening moment, before distorted warmth and rhythm present a wholly encompassing groove. Hannover’s Betweenzone always bring the professionalism and reliability to modern music.
Betweenzone
Means of Control is superb, a brilliant listen, enjoyable at first and later thought provoking, with some new quality or idea pouring through with greater poignancy on each revisit. Nobody else quite brings together genres in such a likable way, and especially not with so much concept and consciousness intertwined.
Featuring a stunning set of visuals to accompany the story-line, Flower Lady adopts a humble groove and brings together warm bass-work, stylish guitar, and smooth indie-pop melodies to build up in a gorgeously immersive fashion.
Hanover’s Betweenzone build further on their memorable repertoire with this infectiously energizing, pop-rock anthem We Got No.
You forget all prior comparisons or references to other artists, the Betweenzone sound and style is theirs, it’s directed towards expressing ideas and feelings about certain issues, and the music will go wherever it needs to in order to explore this.