Unsettle and entertain, be original but engaging and effective – provide unrivalled electronic escapism – boxes all finely ticked by the eclectic and bold repertoire of Ad al Maar.
Europe
The overall creative set-up rings loud in a similarly distinct way, the music blending the familiarity of pop with the alternative freedom of an artist whose creative pathway is clearly uninhibited, and genuinely focused on feeling and intention as it pours through the airways.
Indie’s iconic classical guitarist, composer and poet Giuseppe Bonaccorso consistently gifts audiences clear reasons to sit back and immerse themselves in his music. This truth resounds with atmospheric depth and intrigue, throughout the established artist’s unprecedented take on the historically renowned Ave Maria.
The vintage good vibes that lift the mood regardless of audience – electro swing has long-since been a staple of the indie and festival scenes of the world, inciting a sense of energy and fun that naturally draws you to the dance floor.
The West’s favourite holiday resounds with musical cheer, and always we crave a slightly original take on the classics – something a little fresh, but not straying too far from the warmth and familiarity we’re used to.
Built around acoustic guitars, humble keys and cinematic whistles, the music presents with a mildly cinematic aura, but proceeds to offer characterful vocals both delicate and distinct, as we explore the intricacies and depths of the song’s inspiration.
Big-beat production and divinely gentle vocals collaborate to set the mood in an instant – Brenda Román delivers an intoxicating soundscape and song, with the evocative and uplifting Princesa & Guerrera.
New music from the poetic and distinct corner of creativity that is Ivano Bersini’s compositions – Love is instantly recognisable as Bersini’s style, but at the same time, this is once again a completely new take on the concept of pairing piano and poetry.
“My classical training has been a valuable addition to my musical skills, providing a strong foundation in sight-reading and precision. Later on, I decided to focus solely on the guitar, though I still enjoy playing the clarinet from time to time.”
Acoustic warmth and the live crackle of authentic, unplugged musicianship is always refreshing amidst the modern rise of AI and electronic overproduction. Enter Taji Morod, with the vintage wonder of an acoustically rising and falling folk sound.
Uniquely dreamy production and a mellow groove unite descending, bluesy chords with somewhat shoegaze-like tones and delicate vocals. Noah Milanovi celebrates intimacy and the wonder of wandering, with the jazz-kissed and colourful when we get to the hill.
Exploring the lesser celebrated topic of friendship, Doris DatWay leads with natural musicianship and quiet, soothing vocals, to present a story both visually and musically, that connects for its purity and warmth united amidst an otherwise chaotic modern realm.