Celebrating an impressive three decades on the live scene and thriving within the music world in general, New York’s White Collar Crime emerge with a stunning collection of songs under the title 30 Years In The New York Rain, and it’s a total pleasure to listen through.
Battle Ready is a slow-burning track that sneaks up on you as you listen through. There’s a dark narrative lurking behind the beauty of the arrangement. Tuneful and tastefully produced, that all makes it classic country, in a nutshell!
Musically brilliant, rising up from delicacy to weight, from mellow spaciousness to full-throttle vibrancy and volume – Coyote Kid are unmissable. Listen loud.
Fresh from the top of the playlist that is the brand new album Fight Another Day, Promised Land kicks things off with a heavy folk-rock, Americana-soaked core, and a contrastingly delicate, soulful vocal that’s quickly inviting.
What you have here is a mash-up of traditional and modern electric instruments that looks risky on paper but sounds great in practice. I’m put in mind of the solo albums by ex-Marillion frontman, Fish, around the time of his Internal Exile album. I wasn’t sure what to expect coming to this fresh, but the accomplishment is undeniable.
The classic country and folk-rock energy suits the song’s concept beautifully – that organic purity and the raw and real nature of the performance is gorgeously natural, authentic, and incredibly impressive. An excellent song, close to impossible to dislike.
Tend The Fire is a slow-building slice of Americana that adds more and more elements as it progresses. Don’t Keep Me Waiting is a cover originally recorded by McKendree Spring in 1972.
Leo Harmonay writes and performs because it’s simply a part of who he is – you can hear this, and you can feel it, throughout Naked Rivers and indeed throughout all of his music to date. Always an artist worthy of a listener’s trust.
Mutlu is a superb songwriter, and thanks to the organic and creatively refreshing nature of the soundscapes and set-ups that feature throughout Good Trouble, this skill is permitted the true freedom and strength it deserves; making for a playlist of original songs that connect and uplift and engage their audience in a mighty way.
The energy of the song rises up slowly but in a rhythmically entrancing manner, seeming to wash over you like a wave, the bigger moments crashing into action before the sound drags back out to sea – leaving you with only that whisper of an idea.
Simple Life is beautifully set-up, bringing together a blues-rock backdrop with Kirby’s own expressive and lightly raspy vocals, mixing in a touch of almost doo-wop style backing vocals – the finish is organic yet crisp and clean enough to really let you blast it at volume to immersive results.
Maxime fuses an organic folk sound with a mildly theatrical performance style for this EP, paying tribute to effective and raw musicality as much as his family background in theatre.