From the upcoming debut album Beauty Left Within, singer and songwriter Rudi Burke lays down a colourful balance of folk-pop sentiments and something like pop-punk vocal nuance for that essential twist of character. Red, dead ladybugs presents a full arrangement built around the familiar strum of an acoustic guitar, with the equally distinct fireside fluidity … Continued
Folk Pop
Mialuna has crafted a stunning track for this release, even moving into a pure Gospel-choir a-capella breakaway as the final third swings into view, and the lyrics and warmth of the arrangement become all the more euphoric and powerful at this moment.
Returning to the raw essentials of heartfelt songwriting, Maypo Deluxe lets the nuance and realism of his voice and lyricism shine naturally, for the acoustic guitar-led fireside charm and radical acceptance of Living Out Loud.
Raw acoustic realism and stories that are easy to connect with – Jack O’Handley captures the fireside warmth and energy of live acoustic folk and storytelling, with the honest and unfiltered Get in the Van.
These are gorgeously emotive vocals, delicate yet with just a touch of essential weight or grit to the edges to hit with impact, and the arrangement is something like dream-pop and indie rock carefully intertwined.
Four incredible songs, not a bad moment, nor one that’s less than great, in my view.
Softly soulful, classic vocals and an equally classic arrangement of strings, keys and modest rhythms – Davis The Singer lets passion and connection guide, for the growing emotional charm and sublime performance of Colors (reimagined).
Raised in apartheid in South Africa, songs were the lifeblood of liberation for Marisa Handler and her community, and this heritage, this connection to music and the freedom it can bring, is precisely what inspired the anthemic celebration of We Are Rising.
Acoustic country warmth and stories of nostalgia and experience, connection and contemplation – Biggy captures a sense of melodic and thoughtful wonder, with the five original songs of Rib and Road.
no hope was inspired by Jim Carrey’s infamous commencement speech about hope running into the fire, and it builds a story and mood around this in a distinct, optimistic and memorable way. With a longer project due to release later in the year, isabelle tran’s debut marks a timeless first chapter in this honest and engaging artistic venture.
Inspired by a fifty-year-old romantic meeting between two students from Switzerland and France respectively, Je Ne Peux Pas T’oublier relays a story of long-distance love, from a time when the internet and video calls were unheard of.
Promising a crisp acoustic guitar groove, live drums, and female vocals gorgeously harmonised, I Want The World achieves a style and tone somewhere between the likes of Jewel and Morcheeba – a breathy poetic lead, a hypnotic acoustic groove, and a level of conviction and relevance that’s subtly woven into an uplifting, colourful, creative embrace.