UK punks Sir Sidney Squacko and Lord Jonny Macko compile the fast-paced indie sound of Radio Rubbish – a modern rock duo taking on the topical tribulations of our time.
Rebecca Cullen
Fascinating production and vocal intrigue lay down a strong foundation, as Horror Movies in the Morning joins forces with Polo Frost, for the hip hop to hard-rock fusion Die In Vain.
What appears to be a simple ode to love soon explores the concept of loss and the fear associated with losing someone who means so much to you. Seeing demons in the rear-view is a brilliant metaphorical encapsulation of the subtle anticipation for doom and gloom that often resides in the minor shadows cast by true love.
Colourful by both design and lyric – Robert Sawyer celebrates the joy of admiration, with the metaphorical layers and nostalgic stylings of Sunshine & Rainbows.
Soaring electro-pop and dark-wave dance instrumentals back up impassioned vocal hooks and heartfelt to imaginative sentiments – Joel Christian returns this season with a six-track EP of synth-pop gems.
Big beats quietly mixed, soulful fragments and melodies presenting a mellow and immersive realm of imagery and contemplation. Good Spells returns this season with a beautifully humble, poetic balancing of delicacy and depth, for All In.
The DJ Westwood repertoire is familiar and undoubtedly soaked in modern effects and details. There are plenty of earworms and anthems to seek out.
“Stay humble; the music industry can be tough, and the online beat-selling game is no exception. Keep your chin up and always strive to do your best.”
Lyrically optimistic in its poetic imagery and reflection, After The Rain presents an echoing chamber of ideas, set amidst a funky dance backdrop both nostalgic and distinct. The sound is in keeping with the Deep Transit artistic flair – a playful and uplifting ode to positivity and freedom of design.
Introducing a brand-new original sci-fi storytelling podcast – The UK’s own Tales From The Void Above presents a range of intimate and immersive stories, from the depths of a vast and dangerous universe.
It’s a cover of the classic song Congo Square – written by Sonny Landreth and brought to fame by The Neville Brothers – and it brings forth a timeless appreciation for jazz, funk, soul and the sheer joy of live music.
Following on from the fiercely immersive genre fusion of Adagio One, rising artist and composer David Ratmoko manages yet again to enthral, engage, and impress modern listeners, with the darkness and hypnotic depth of Adagio Two.