The best way to experience a song like this is at volume – headphones, isolation, absolute escapism. Beautiful.

Rebecca Cullen
The audio in full has the effect of creating a cinematic experience for listeners, guiding you down these smokey back streets as hints of a story-line and imagery rain down softly around you.
The hook circles around you, repeating and building up even more-so every time – meanwhile it sinks in quickly, leaving you singing along in an instant, and even considering the poetic depth underneath it all.
Powerfully hypnotic visuals accompany a dark and industrial soundscape for this striking release from LA artist MIKEHAZE.
Bridging the gap between engrossing musicality and unwavering lyricism, this is a single that ticks a whole lot of boxes on both sides of the spectrum.
“Sufjan Stevens was a huge inspiration. So I began bleeding that with folk sounds like Mumford or Lumineers. I also spent a lot of time listening to speaches by Alan watts.”
Delicately rhythmic and intimate production meets with softly emotive vocal work, deeply human lyricism, and a quiet rain of detail; building atmospheric bliss and ultimately offering powerful respite from the weight of the world.
In a strange way, the 80s style takes something of a back-seat as the songwriting and the general mood overwhelm. For all of these reasons, Android really leaves its mark.
Offering precisely the journey and intensity implied by the title – a certain darkness, a rising weight and multiple layers of detail – Ghost Of The Past rises up from theatrical beginnings to a full-throttle fusion of rock, pop, and neo-classical instrumentation.
“The music industry is a place where many talented persons take a leap of faith to create artistic pieces with hopes of connecting with the intended audiences.”
This is beautiful, a refreshing and professional yet incredibly creative and expressive sound.
“My mom would get annihilated drunk and play the same Rolling Stones concert (Steel Wheels) on a VHS (1990) instead of a kids show, so by the age of 6, I was building Lincoln Log Guitars and Smoking a white crayon, Keith Richards was my Dora or whatever kids watch these days. “