Introducing a compelling fusion of genres, an explosive collaboration between the unique spiritual consciousness of rapper Souleye, and the fiercely intense new metal weight of We Are PIGS – Ghost Town is a fast-paced and fascinating original track, that manages to feel both nostalgic and unrivalled in originality.
Metal
Introducing one of those rare occasions when the artwork perfectly encapsulates the essence and style of a release. Maxim’s Whispers of the Eternal is a uniquely vast and rather epic exploration of cinematic depth, built around an idea and dramatic vocal opening, layered with soaring guitar solos and distorted chords united in this progressive and fiercely soulful instrumental.
Defiantly unique and rather fearless in bridging the gap between the most intense distorted music and the more charming softness of acoustic and melodic satisfaction, In The Chaos I Return is a fascinating project, which feels profoundly more vast than its three-track limit appears to imply.
Creating art out of trauma is a painful but ultimately therapeutic process, and if that art or music can in turn provide the same kind of solace and understanding for other victims of abuse, then its all the more rewarding. Johnny Bottos tells his story in a unique and empowering way, with the pure poetry, sheer weight, and musical precision of Crown Of Thorns.
Unexpectedly vast medieval rock and contemporary spoken vocals of increasing passion – HOLYMAMI captures a wholly unique sound and style, with the iconic Kirby.
German Nu-Metal outfit SCHUTZHUИD, known for their euphoric arrangements and collaborative approach to modern music, showcase the very best of their creative presence and power, with the iconic storytelling and intense musicality of Woodstock ’99.
To celebrate the release of his debut EP Biting The Hand That Feeds, we caught an interview with Christian Metal artist Feet in the Fire.
We talk about the inspiration for making the project, the bible stories behind the songs, and the challenges of intertwining the intensity of heavy metal with the peaceful living of Christian Faith.
Haunting solo piano keys guide us provocatively into the mix, before a fully-loaded ambient to electronic metal realm backs up the sheer desperation and changing pace of Mike’s vocal.
The Touch Of Time is conceptual by nature, but entirely free from lyrics – gifting listeners their own unique experience and escapism as they delve into these melodic and intense to euphoric compositions.
Pyrophobia screams out on behalf of an unrelenting lust for life. Far more than just a song, the release presents a rich tapestry of sonic exploration and power, and in the process offers an original and addictively evocative journey.
Lifelong metal devotees Friday Dies have released a plethora of original music under their name, uniting the muggy haze of grunge with the pace and evolutionary composition of progressive metal – a quality that stands insanely tall for the single Of Wizards and Witches.
For me, tracks like this are few and far between – the vibe is that of an early 2000s alternative rock approach, but the songwriting and personality breathe new life into the delivery; resulting in an independent style that’s honest, provocative, and naturally an earworm.