Incredible musicianship, and a genuinely original manner of composition that runs through everything from the opening riff to the set-up, structure, and clear emotion highlighted every step of the way.
Guitar
The instrumental tale is one that proves unique to each listener, but when the compositions are so masterfully crafted, and with authenticity at their core, its not that difficult to connect the dots.
Joe tells his story through the strings of his guitar, and his playing captivates in a deeply authentic way that’s rarely stumbled upon these days.
Mystery Math have made this from a place of contemplation, and it finely accompanies precisely this act for those who choose to step in.
“In an era where albums are a disposable commodity that we rarely possess, never mind physically hold, I wanted to present a beautiful piece of art that reflected the care and love taken in the making of the music itself.”
Featuring some of the very best guitar-work & melodic story-telling around, with organic rock soundscapes to support & enhance the mood of each track, Apparitions proves as nostalgic as it is refreshing, and continuously begs for you to turn up the volume.
There’s no end to the creativity, and these tracks do indeed showcase the very best of Eric van Aro’s musical journey over the past four decades.
This is the artist and composer lost in the moment, the guitarist at one with the guitar, and it feels partly reminiscent of a simpler time, partly of a genuinely new and exciting artistry.
‘Nofre Nuggets is a great collection, and an easy playlist to turn to whenever you need it – superb musicianship, arrangements and production, and a mighty ode to some classic surf-rock.
Featuring a blues-rock backdrop that quietly progresses through its rise & fall, the track follows the building intensity & passion of a leading guitar solo – a performance that progresses from simple & reflective, to outright impressive & beautifully hypnotic.
Deuce in full is gorgeously eclectic, and absolutely worth letting play three or four times over – the journey doesn’t grow tiresome, the arrangement is on point, and the playing is so uninhibited and openly creative.
“My mom would get annihilated drunk and play the same Rolling Stones concert (Steel Wheels) on a VHS (1990) instead of a kids show, so by the age of 6, I was building Lincoln Log Guitars and Smoking a white crayon, Keith Richards was my Dora or whatever kids watch these days. “