On reading a nostalgic UNCUT article from years past, which relayed the story of Elliott Smith’s well known struggle with sudden fame, and how it led to his demise, Somebody I’m Not examines the pure humanity at the heart of such a tragedy.
Folk Pop
Working its magic as both a timeless pop hit and indeed a clear acoustic contender – one that would no doubt connect beautifully in a stripped-back, unplugged live setting – Atmosphere marks a fine introduction to an established songwriter, with a clear talent and style of his own.
Nostalgic indie pop with a deeply moving undertone; delicate vocals, vulnerability and acoustic purity at its core – Emilia Vaughn impresses, with the intimacy and heartbreaking revelations of Skeleton.
When good songwriting and real musicianship unite, it almost always makes for a worthy listening experience – in this case, definitely one to look out for across the UK’s live scenes this year.
The creative return of 旋林Rowens this month brings a soulful jazz-pop single of trembling vocal realism, retro keys and bossa nova rhythms. The melodically nostalgic Old Photo presents a catchy yet calming progression, and relays a lyrical poem exploring the impermanence of love.
Boasting over a million plays across nearly two-dozen original singles, LA-based Joseph Rutakangwa has carved out an impressive niche within modern music, the likes of Avani and I Am Meant For you building further upon a naturally distinct and evocative style.
For the new release, Joseph returns to the poetic reflections and optimism of his earliest work, and in the process gifts listeners a feeling of positivity, self-belief, and lasting calm.
Florida songwriter and artist Luanne Hunt compiles the warmest examples of her thoughtful style and the impressive evolution of her writing, with the wonderful seven-track album Miles & Memories.
The live and fairly raw sound of authentic indie songwriting captures attention from the outset, as Katie Brown releases her latest poetic outpouring, in the form of the melodically enchanting and imagery-laden Insomnia.
Organic folk-pop brings shakers and acoustic guitar to the forefront, as Steve Savona sets the mood to uplifted and light, with The Way To Be.
Just piano and voice in its entirety, the pressure is on the lyrics and delivery to keep things interesting, and Joseph Trem utterly masters this approach.
Warm production lights up the space with acoustic guitar and a lo-fi kick-drum, as Maini Sorri lays the foundation for her latest search for answers, Show Me The Light.
The performance is stunning, gentle and expressive yet versatile and even powerful when necessary. As a writer for other singers, collaboration is a key aspect of Anthony Hemsey’s repertoire, and in this case the feature name KATESCOPE represents an elusive vocalist – an element of unexpected mystique amidst an otherwise deeply personal but also beautifully cinematic, evocative story.