Ultimately feeling like a huge power-pop ballad at its peak, the essence of Selfish is again that twist of angst and unexpectedness that runs throughout Kyle Jaymes’ songwriting. The music is beautiful, but the sentiments are loaded with pain and self-preservation; an outcry against someone whose Selfish choices have been unignorably suffered for far too long.
Folk Pop
Stripped-back realism that the music worlds needs to cherish right now. Tia Gostelow continues her Low Lights series, with the intimacy, gentle fingerpicking, and light and breathy vocals, of Always.
Organic loops of instrumentation and voice, poetic and personal ideas resounding and lingering – an ambient but largely acoustic presentation, of songs that feel both revealing and mysterious in their vague bursts of both joy and sadness. German songwriter and artist Rico Friebe releases a brand new double album, in the form of the mighty The Desire Path / The Open Glade.
Classic songwriting with a vintage twist of organic design to match – Bandtraxs and Frankie Boulter capture the essence and optimism of Christmas, with the re-release of an ageless independent single, called Sorry Baby (Christmas).
Great songs, genuine vocals, an artistic identity that’s refreshingly real – Kērd DaiKur is putting in the work and passion alike, to release a full-length debut album that already feels a little like a greatest hits collection for the independent creative.
The album title is on point, the comfort of melody and acceptance, crafted under a blanket of responsibility and grown-up references that are absolutely not for the younger listeners. PJ Pajamas strikes a fine balance, and these songs are a pleasure to dive into, time and time again.
Lush songwriting and equally ethereal, colourful and consuming production. Raymnd captures a fine sense of escapism and story, with the natural embrace of Godspeed & Goodbye.
Based out of Bath in the UK, home of the very first songwriting MA degree course, Francesca Tamellini brings an edge of individuality and honest charm back to indie pop. Her long-form melodies, unfiltered vocal styling, the raw sound and simple pairing of piano and lyric, all points towards a sense of genuine expression and freedom at the helm.
Reflecting on modern intoxication and the search for truth, the value of using your voice when it matters, TODAY is complex and mysterious, but also manages to pierce through the noise with sharp and smart poetic lines. Everything then comes together beautifully, for what proves a genuinely inspiring chorus, and a sentiment and melody that linger in the mind, long after the music has ended.
This latest take on swingin’ vintage pop is a sensational and colourful new song, with lush acoustic riffs, characterful vocals, and snappy, fun lyrics, of brief lines building towards a satisfying crescendo.
Having recently launched the single Up at The Top, UK songwriter and Ste Forshaw completes the process of evolving from depression to devotion, with the indie-folk intimacy and poetic musings, stories and sentiments, of the Bluebird EP.
Timeless country vocals and southern rock sentiments and tones line the walls of this evocative and supremely melodic new album, from a singer and songwriter with a heartfelt and genuine approach to both performance and lyrical worth.