The sweet orchestration of the track; the masterful blending of strings and acoustic guitars is reminiscent of singer-songwriters like Boo Hewerdine, erstwhile of The Bible. The percussion elements are a very welcome addition, too – adding a little drive to proceedings – but the major feeling here is one of reflection and contemplation. Dive in and have a soak.
Whereas some works can be hard to review, this wonderful collection wears its influences on its sleeve and is all the better for it. Unashamedly complex arrangements with no flab, terrific performances all round… what’s not to love?
As the hook hits, as those voices meet, this moment offers a passionate peak that hits with immense impact thanks to contrast and the way the song builds up to it. That resolve works perfectly, and contrast again runs within as the line itself speaks of condemnation – the end, the curtain closing.
As emotional songs go, this one digs right into the heart – dog lovers be warned. The tears may flood, but the song also reminds you to appreciate those still with you. An absolute recommend.
The Lexington Stretch is an absolute treat for the ears and the soul, soothing the energy in the room with gritty yet smooth blues melodies, seductive harmonies, and songwriting that digs right into the core of the human experience in a poetic and completely engaging way.
Rob Georg strikes again with yet another completely unexpected yet addictively enjoyable bit of songwriting. A life-long interest in and love for tattoo art is something shared by many, and this song purely and simply exemplifies and celebrates exactly that.
Thanos’ writing style is increasingly conceptual, poetic, and provocative, throughout this EP. He’s a master of finding the right way to say things, simple yet captivating, and the right melody to really drive it home.
“Baltimore is an eclectic hodgepodge of artistic freedom. We have long stood with one foot firmly planted in the Blues but aspire to seamlessly pivot from genre to genre. I can’t stress how important it is to keep that other foot firmly planted in the Blues!”
Sunday Morning kicks up with a simple Americana set-up, organic and fairly minimalist to begin with, then you get the leading voice for the verse – the first moment at which the personality and unique appeal of the band starts to stand out.
The Stifftones have chosen a quiet and genuine setting for this because the song itself is one that deals with personal, reflective ideas – a sense of being far away, isolated or alone.
“The live scene in Liverpool is fantastic. It’s probably as good as Nashville, you can go out most nights and see real original songs by talented people that would have been signed up if it was the early 70’s.”
Jenkins’ writing style takes you through the many experiences of life – the successes, the regrets, the little things that light up an average day. When combined with such a genuine and real-time folk-rock sound this lets the songs connect in an honest way.