Jakob Kupferberg returns – the unmistakable Jakob The Liar, as unpredictable and fascinating as ever; this time tackling a heavy political landscape head on. Paradigm $H!T is the new release – conceptually provocative, stylistically unconfined, with a bold set of visuals to reinforce the performative flair and angst of the writing. Quickly evolving through this … Continued
Alt Rock
LE BRUIT present a brilliantly original, engaging and interesting alt-folk style, both immersive and satisfying, whilst maintaining a clear edge of unpredictable artistry – as the passion rises and the melodies tumble down their own rabbit hole of wonder.
What begins as a mellow acoustic number, soon evolves through moments of near heavy metal, progressive rock, and even electronic hard-rock. 3mind Blight is the genre, essentially, and these thoughts and creative outbursts form a melodic and enchanting tapestry of fearless revelation and vulnerability.
Great songwriting always resounds, regardless of the setting or recording style. In this case, the authenticity of the studio capture seems to aptly reinforce the realism and appeal of the song. Jumbo Chords deliver an indie-rock classic, for Dennis Wilson.
Introducing a creative country rock, punk, and metal fusing anthem – Get Out Of Dodge is a naturally energising original song, from Arizona alt-rock leaders Jesus Chrysler Supercar.
A cool sound, for lack of a more literary opening statement. Nilipek intensifies the simple strum of an acoustic guitar at pace, with delicate vocals carefully depicting a melody that rises slowly towards the indie rock presence of a simpler era.
I U ME is brilliantly captivating, an intriguing to rather epic modern single, with a fascinating long-form melody that’s both heartbroken and dreamy as it meanders through almost two minutes of expression towards the hook’s peak.
Drive off into the sunset, adventure ahead and the weight of the past firmly behind you. JJ Rane pays tribute to Western Canadian Rock, with the gritty depths, soaring riffs, and raspy vocals of the five-track EP Back into the River.
Thoughtfully combining the true stories of the past with musical influences once borders apart, now seamlessly united, Munich’s Gleis 11 promise an addictive and organic example of collaboration at its most creative and engaging, and Auf der Welt is a brilliantly catchy ode to that.
Superb guitar, bass and drum unity at a high-octane pace storms into view – nostalgic and original melody and vocal dynamic quickly capturing attention from afar. Captain Graveyard delivers a boldly unique yet perfectly structured and satisfying ode to timeless hard-rock, with the precise complexity and weight of Tragedy of a blood romance.
Fully immersive synth rock and conceptual depth unite beautifully, across a repertoire of superb songwriting and a fearlessly unique, impassioned style. Emily Kinski’s Dead are a fantastic indie band of our time, and their music is connecting far and wide.
Supremely unique alternative metal, a Gospel-like opening choir vocal and contrasting distortion promising a quickly catchy metal groove and set-up – Hope Seed capture a clear sense of personality and original flair, with the depth and intention of Non Believer.