Beautiful vocals and a euphoric production elevate the pop songwriting of UK artist Daisy Peacock. While It Lasted carefully balances the strum of an acoustic guitar, with the synth-loaded ethereal embrace of a dance-ready soundtrack, and all the while promises a heartfelt and memorable ode to the highs and lows of adolescent relationships.

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LA alt-pop duo Royal She deliver an explosive alternative pop track for their latest offering. Employing contrast quite masterfully, Karma pours into the room by way of its quickly catchy, snappy and nineties-esque hook – this looping statement of ‘Bitch, you gon’ get what you deserve’, backed by an acoustic guitar sound and a clap rhythm.

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Somewhat free-flowing in its verse-setup and tune, Manic Pixie Nightmare delivers the familiar line ‘Not all who wander are lost, but all who are lost wander’, repeatedly throughout. It’s a resounding moment, but elsewhere the song follows its own unpredictable melody and fragments of reflection on losing a phone and subsequently seeking to break free from societal expectations.

Alt Pop

Introducing the first single release from the upcoming album Jeopardized Love, songwriter and artist Gemwz follows a minimalist guitar set-up, through a fast-paced personal outpouring of quiet, contemporary reflections, for the organic and impassioned Back To You.

Alt PopIndie PopSongwriter

Introducing a conceptually and musically engaging new EP, from an artist with stories to tell and enchanting, long-form melodies to weave. Nighttime Chronicles depicts a piano-pop to cinematic rock fusion of influences, ultimately led by the smooth and poetic vocal thread of Esteban; an artist committed to the escapism and depth of creative expression.

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In my opinion, this is categorically the most memorable, musically satisfying, and perhaps emotionally impactful song from the extensive Bad Bubble repertoire to date. It’s a step in the direction of simplicity and realism in both the clarity and boldness of the voices, and in the honesty and relatable authenticity of the lyrics. The opening reference to Occam’s Razor is decidedly fitting; sometimes the simplest answers are the best.

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Dark and dirty production leads with a rise and fall bass line and snappy vocals, blending rap and melody across a confronting and confident lyrical thread – Music Production House Tune Oven launches a single fit for the spooky season, with the Halloween-ready Bitch To Witch.

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