Big beats quietly mixed, soulful fragments and melodies presenting a mellow and immersive realm of imagery and contemplation. Good Spells returns this season with a beautifully humble, poetic balancing of delicacy and depth, for All In.
Good Spells
Monsters blends story and style in a way that’s frankly unrivalled right now. We’re in the artistic territory of early 2000s triphop and dark dance – the melodic appeal, the depth and weight of distortion and design, the conceptual detail and subtle riffs. Genre feels like a secondary aspect of what is ultimately an artistic encapsulation of mood and scene.
Admittedly nostalgic for its superb blending of trip hop-style production and that indie vocal twist of character, Time Again follows a single concept and a single lyrical question for the most part, across an expanding tapestry of immersive electronic design.
Instantly cinematic for both its haunting audio presence and the impressively mighty accompanying visuals, In For The Kill delivers a thought-provoking and immersive experience…
Promising a wave of escapism that’s addictively powerful, leaving a sense of imaginative lostness that keeps the body calm yet the mind wandering through the various what-ifs and aches of modern life.