Balik Alistane light up the space, their unity and skill matched faultlessly by their appreciation of the audience experience. This is not a self-indulgent instrumental, not guitar playing designed simply to impress in the short term. It’s a self-conscious composition, a live jam captured with an infectious groove at its core, and a sense of story and recognisable melodic inflection rooted throughout a post-four-minute production.
Rock
The UK’s own, bringing back the ferocity and riffs of classic, timeless rock – Canada Hill energise the space in an instant, with the relentless tempo, raw distortion and anthemic chorus of voices that make up Hit!
Introducing a timeless traditional set-up and a brilliantly original song – Brendan McKinney & the 99 Brown Dogs made a hearty first impression, with the unbelievably catchy folk-rock anthem James Dunn’s Daughter.
Creatively capturing the essence of a stark new reality – Everlust ignite the darkness and depth of both haunting hard-rock and the conceptual truth of our current transition into living exclusively online.
From the upcoming EP Elemental, Watch The World Burn is refreshingly genuine and compelling from a lyrical perspective, injecting a genuine sense of conceptual depth and poetry into the timeless energy and embrace of pop punk, and in the process reminding us of the talent and infectious energy of King Of Cups.
Classic southern rock with a bluesy twist of distortion and genuine vocal passion – Jeremiah Throwbridge combines performative grit, slick riffs, a strong groove and a catchy hook, for the anthemic new single Feel It Out.
From the upbeat Owl City electro warmth and anthemic peak of Rearview Mirror, the energising nature and thoughtful undertones of this album are made clear, and as we proceed into the heavier rock energy and tempo of Guitar Hero III, suddenly that nostalgia redirects us towards the Tony Hawks soundtracks and beyond – another fork in the road that’s unexpected but satisfying.
Great riff-work, a strong groove and a clear organic recording that really takes you to the centre of the live performance. Canadian band Low Winter Sun deliver a smooth-sailing blues-rock hit that’s infectious and thoughtful, with Perpetual Motion.
The UK’s own Harrison Rimmer reignites the short lines and upbeat energy of pop-rock from a simpler time. Ripped Up Magazine feels like a slept-on single from the likes of Goo Goo Dolls, but it also quickly injects its own sense of clear identity and feeling, and this becomes a true quality of the Harrison Rimmer sound and style.
French singer and guitarist Nicolas Willot pairs a likable organic groove with smooth melodies and quirky, raspy canned vocals, for a poetic and compelling take on contemporary blues-rock.
Bringing back the sheer energy and grit of rock and punk, with a vocal and production twist that’s easily distinct – Stoke-on-Trent band Whooligans deliver a distorted anthem of simple, nostalgic listing and confident scorn for the rat-race.
Six years strong and a fine testament to their unwavering passion for and increasing presence within the alternative rock realm. UK five-piece The Straights highlight the very best of their poetic songwriting, gritty and relatable vocals, and fiercely rising instrumental intensity, with the compelling scenery, sounds and ideas of Remedy.