Huge pop anthems of a live-band aura and catchy, evocative songwriting – MatteoM’s long-anticipated album What Is It All About? delivers an extensive exploration of the vagaries of love and the difficulties they present. It begins with the hugely vibrant pop-rock anthem Change Of Heart.

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Currently 75 years young and vocally distinct in an effortless and enchanting fashion, Cousti writes with a heartfelt and catchy approach, songs like Turn Around and Survive instantly appealing for both their sense of live-band warmth and the naturally inspiring sentiments and loving references of their lyrics. The melodies are simple but satisfying, and that voice carries things along in a way that feels genuinely fresh.

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Feel-good acoustic pop music, a call and response dynamic and interesting, refreshingly original lyrics – Phibian connect well, blending familiarity and a fresh sense of character, for their colourful and fearlessly honest album Pantophobia.

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Introducing a huge summer jam, a big-bank funk-rock release, capturing aspects of disco and pop-rock across an uplifting sentiment and style. Dominick Keath brings catchy positivity and organic musicianship back to the forefront, with the infectious good vibes of an aptly-titled Rise And Shine.

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Uniting talents from the UK and Germany, The Lovekiller drives with a smooth electronic-rock soundscape and faultless vocals, progressing through a rising pop verse, towards a memorable hook – a moment that leans mildly towards the softer offerings from a timeless No Doubt.

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From the upcoming EP Elemental, Watch The World Burn is refreshingly genuine and compelling from a lyrical perspective, injecting a genuine sense of conceptual depth and poetry into the timeless energy and embrace of pop punk, and in the process reminding us of the talent and infectious energy of King Of Cups.

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From the upbeat Owl City electro warmth and anthemic peak of Rearview Mirror, the energising nature and thoughtful undertones of this album are made clear, and as we proceed into the heavier rock energy and tempo of Guitar Hero III, suddenly that nostalgia redirects us towards the Tony Hawks soundtracks and beyond – another fork in the road that’s unexpected but satisfying.

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Jakob Kupferberg returns – the unmistakable Jakob The Liar, as unpredictable and fascinating as ever; this time tackling a heavy political landscape head on. Paradigm $H!T is the new release – conceptually provocative, stylistically unconfined, with a bold set of visuals to reinforce the performative flair and angst of the writing. Quickly evolving through this … Continued

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The UK’s own Harrison Rimmer reignites the short lines and upbeat energy of pop-rock from a simpler time. Ripped Up Magazine feels like a slept-on single from the likes of Goo Goo Dolls, but it also quickly injects its own sense of clear identity and feeling, and this becomes a true quality of the Harrison Rimmer sound and style.

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