Perhaps surprising that this is the first project of this name to cross our path – by all accounts, many of you reading this or experiencing this album are indeed Melophiles yourselves. Abhi Ananda, however, seems to encapsulate that quality with the clear complexity, versatility, skill and unwavering heart of these eight recordings.
Instrumental
Evocatively paying tribute to the existence of the lifeless yet living aspects of the natural world, Neo Classical composer Basil Babychan unites organic and electronic elements with subtlety and purpose, throughout the deeply ambient, melodically intriguing Insentinent Nature.
Inspired by the tragic loss of a loved one, this project uniquely captures the raw essence of human sadness and expression – everything from the live acoustic sound and strum to the melodic progressions, patterns and spaces within represents this underlying truth and ache.
An audio journey to lift you from your lull – Yun Fei crafts an all-consuming work of art; organic layers of oriental instrumentation and tribal rhythms, presenting an uplifting and aptly celebratory listen, for Glory.
“Experience the seamless blend of innovation and tradition, transporting you to realms unknown.”
Featuring unique licks and riffs that prove easily recognizable amidst this deeply evocative atmosphere of sound, She is Now So Far brings in a guitar-led ambiance, the organic skill and heart of the performance driving us forward through the central theme and mood.
Lifelong pianist and devoted, evocative composer Ori Baruch brings purity and purpose to modern music, with the stylistically minimalist yet emotively complex sound of Solitude.
Featuring cascading layers of organic musicianship, progressing from delicacy and calm through distortion and breathtaking pace, Miserlou showcases a defiant passion for the process of audio storytelling.
“I believe it is a crucial step for every musician, to pass the passion and knowledge on to future generations.”
Most everyone is going to be new to my music compositions because I have not published them until now. The music I compose is Spiritual as it is written in Ephesians 5:19-20.
“All of my albums are autobiographical in a sense, and as I get deeper into creating ambient music, I get deeper into illuminating my own conditioned ego, and its resulting triggers, buttons and defenses, understanding the effects of trauma I have experienced, so I can witness my own inner pain and hurt with clarity, and begin to nurture and heal it.”
Ambient initially, before finding its industrial roots amidst a tribal groove and cascading electronic synths, Moth features a distorted melodic pattern in its first quarter – sort of dark trip hop with a twist of heavier late-night vibes.