Israel-based producer and songwriter Nadav Ettlinger carves out a raw melodic and distorted lane as a contemporary creative.
Grunge
That’s the key these days, songwriting that balances the quirky and the commonplace, to engage and stand out all at once. It’s a simple psychedelic combination of musicality and playful, cat-like guitar sounds, but it all feeds into the beast that is Radioactive Cat. An angry celebration of sorts – one that will no doubt go down brilliantly at live shows.
The UK’s own Kath Moskvina, an indie-rock musician with a twist of electronic and cinematic design to her sound, stands tall on the strength of contemplative and grunge-like integrity and depth, throughout the engaging and impressively unique single Outsider.
Defiantly unique and rather fearless in bridging the gap between the most intense distorted music and the more charming softness of acoustic and melodic satisfaction, In The Chaos I Return is a fascinating project, which feels profoundly more vast than its three-track limit appears to imply.
For me, tracks like this are few and far between – the vibe is that of an early 2000s alternative rock approach, but the songwriting and personality breathe new life into the delivery; resulting in an independent style that’s honest, provocative, and naturally an earworm.
Chris establishes the artistic journey really well, the final section acting as a brief second verse; a momentary return to quiet poetry, before we explode back into the peak of the arrangement, for the mighty and resounding, familiar ache of ‘I’m reminded that you’re not here anymore – As I pull myself from off this floor’.
“We are sponsored by www.fenderaudio.com and will be giving a speaker away next month through our social media.”
Anthemic by design but also unafraid to push the creative boat out further than mainstream officials may recommend, Signature Gold effectively unite alternative and accessible rock and metal with this release, and showcase great songwriting abilities at the same time.
Completing the band’s album trilogy, the highly-anticipated Trails Of Gold wraps up a noteworthy journey for alt rockers Deaf Whale, and yet at the same time, marks a beautifully enchanting introduction to their music.
“It’s almost impossible to write a song that you’re willing to sing over and over forever, but some
songs just feel right and every time you play it you get this tingly magical feeling; like there’s some
strange power in the chords that were chosen, and they way they were played was just meant to
be.”
Always resolving with the simplicity of a poetic and tuneful chorus, Space Meat falls somewhere between the likes of Courtney Barnett, Deftones and PJ Harvey, but makes sure to blend in a subtle twist of mainstream familiarity just in case.
Stylistically and conceptually reflecting on the death of an era, the grip of war and the symbolic destruction of 90’s counter-culture, Denmark’s Jakob The Liar breaks free from the confines of genre, with a track that’s as creatively outrageous and intriguing as its title implies.