That producer and performer combination is rare to find at such a distinguished and still humble, honest level, and this duo have it mastered. Their music is consistently a pleasure to escape into, always thoughtful, heartfelt and intricate, and the ethereal waves of synth and the sheer gratitude of the lyrics throughout Separate all exemplifies that truth in a beautiful way.

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Driven by a lifelong desire to connect and bring people together, singer and songwriter Charles Troxler has evolved from his early inspirations in impersonating Michael Jackson on the stage, to releasing a full-length album of original songs.

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That’s the intention of much of Irene’s music and performances, to engage and entertain – to get people dancing, to bring them together. It’s a skill that stands tall throughout her career and recording repertoire, and it continues to inspire and uplift with each new chapter and style.

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Classic Pop songwriting at an EDM-ready pace meets with cascading synths and unorthodox traits akin to a more neo-classical realm – Northern Ireland’s Amie Woodhouse brings the sultry hook and floor-filler vibes all at once, with Hypnotic.

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Nostalgic Dance-Pop production and a stunning vocal melody light up the songwriting space with a memorable kind of strength. Chicago’s Amanda Aponte balances the soulful emotion of performance with a few more surface level floor-filler quirks, for the stand-out single LIPSTICK LESBIAN.

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Celebrating the chemistry between two people, with a funky groove and soulful vocals, Ellyott delivers a colourful and uplifting dance-pop single, with the aptly-titled and nostalgic sound of Vibing.

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