The joy of experiencing music lies in tapping into the unknown. Expect the unexpected.
Nobody creates in the way that Seth Angerer does, and certainly not to this degree of professionalism. His creative flair runs wild yet still the stunning musicianship and sound design works hard to impress and captivate right the way through.
Images of death move into those of love, this descending and then rising chord pattern and melody soon show themselves to be of a surprisingly anthem-like nature. It feels almost like a national call – a huge moment of togetherness. Then it all falls away, and the quiet crackle of a dark room grips you once again.
“YIMBY (Yes In My Backyard) is a grass-roots political movement that focuses on housing issues all over the United States and around the world. It is a reaction against NIMBY (Not In My BackYard), where a lot of affordable housing developments are being blocked by local governments, driving up rent prices and homelessness rates everywhere, especially around the major metro areas in the US.”
Patience and peace rarely play a role in modern life, but they should, and perhaps they must as times move faster and grow noisier and more impactful on our every day existence. Enter YIMBY, these compositions, and the choice to temporarily free yourself from the manic downpour of information.
There’s a certain passionate depth to the writing, and the featured singer handles and presents this with an air of realness. Behind the vocal though, the soundscape is decidedly complex, unexpectedly detailed and multi-layered to the point that you can pick up something new with each revisit.
“Piano Blues is a moody bluesy instrumental record with an old school sound. I’d say experiment with it in different environments and dial in what best works for you. I am open to suggestions! I’d love to hear back from listeners about what they think.”
Chris Nole manages to captivate throughout this project, in the same instance as paying a more-than worthy tribute to the blues and its 100+ year history.
There are journeys within each of these compositions, and the details and pauses, the weight contrasted by the lightness, all adds to the experience – helping make this entire album no less than a dream to lose yourself within.
Juan Sánchez is a master of emotive music, whether by means of a solo instrumental or a compilation of moments and instruments that reinforce the underlying sentiments.
Emman-Pelumi throws caution to the wind when it comes to genre, fusing and utilizing an array of influences and styles, offering a playlist that’s as eclectic as it is cinemati
“As a composer, it’s my job to help fill in the bits that the show can’t tell through words and pictures, and to help give the audience member an invitation to feel something.”