Composer Ube Palomino captures the imaginative freedom of instrumental expression, with the uniquely evocative, intimate to cinematic arrangements of The Hinterlands Suite.
Cinematic
Coming in at over six minutes of exploration, Time Irrelevant sees its listeners plunged into a web of multiple layers of distorted guitars and classic eighties rhythms. At the same time, subtle waves of synth and electronic instrumentation meet with organic, acoustic ones, to craft something that’s both a looping realm of comfort, and a consistently evolving delivery of rising anticipation.
Creatively shaking the foundations of modern composition, David Ratmoko presents the deep ambient synths and Baroque electronic arpeggios of Prelude One – an iconic redirection with an unpredictable shift towards trap rhythms and darker, cinematic sound-design as things progress.
Creative composer Pinda Dhanoya collaborates with Soprano vocalist Caroline Joy Clarke, for the dramatic and powerful new work Kyrie I.
Featuring a live orchestral explosion of energy and sound, Kyrie I spans just one minute in full, but instantly captures attention for its depth and devotion to the moment.
Ambient calm, healing frequencies, impressively intricate design – a collection of compositions that are profoundly rewarding to relax into. Renowned Tasmanian producer and artist Darren J Harris welcomes audiences into his latest ethereal wonderland, for the deeply soothing and imaginative new album Subliminal.
Tasmania’s renowned ambient composer and unrivalled creative producer in the electronic, atmospheric realm – Darren Harris gears up to launch his highly-anticipated new album Subliminal.
Introducing a huge production and a respectably honest hit of songwriting – long-time musician and composer Johnny Minkley joins forces with the gently distinct vocalist Laila, for the celebratory yet heartbroken depth of I Didn’t Deserve Your Love.
An intimate piano-ballad with a long-form melodic story and a rising sense of energy and possibility – Liesl Ahlers lends uniquely evocative, distinct but gentle vocals, to the heartfelt and intimate new single Soen My Sag.
Italian-Venezuelan composer and producer Sarah R Jay, currently based in the UAE, creates intoxicating audio tapestries that completely envelop listeners – the sort of intricately designed, colourful yet melodic fusion of genres that’s imaginative and euphoric to escape into.
The Touch Of Time is conceptual by nature, but entirely free from lyrics – gifting listeners their own unique experience and escapism as they delve into these melodic and intense to euphoric compositions.
Aviram Spies ensures the connection between title and experience. A work that perfectly encapsulates the implications of its name – On The Edge of an Endless Forest takes you to precisely the purity and vastness promised. The sound is that of a nostalgic movie-made classical realm, familiar but unpredictable, and softly spellbinding to let play and surround you.
CYBERSYMPHONY is ultimately a techno and trance driven track, carving out an ever-evolving soundscape while these relentless rhythms and distorted synths maintain an hypnotic loop of contemplation and rising energy. From unexpected instrumental shifts to the industrial-meets-tribal tumble of the drums during the final third, the whole thing feels like an audio movie in and of itself.