That quality seems rare these days – the skill of rap and writing bars coming second to image and volume in many cases. Here though, in a refreshing turn away from the emo and simple bangers scenes, Too Humble pays tribute to the dawn of Hip Hop, whilst introducing a rightfully calm and collected artist with a clear talent for engaging listeners on the mic.

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Taking Names offers a plethora of deeply poetic, metaphorical and impressive lyrics – the sharpness and intelligence of which permits the song the worthy status of requiring you to listen more than a couple of times to grasp every idea. There are depths to the music, and as such, each time you do revisit, the music and story hit with all the more impact.

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For those new to the style, you might find similar vibes amidst the hit movies of eras past – the days when street rap battles, break dancing and colourful clothes hung on the air like a stylish hit of opposition to the mundane. Reis Armstrong recaptures the purity of those days, and does so with original songwriting and a clear sense of unity and passion for the process.

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Classic hip hop production and rhythmically catchy vocals make up the memorable anthem that is WTM. Loui Lion captures attention with ease, What’s The Move? resounding like an earworm throughout a soundscape of haunting synths and trap rhythms united.

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Classic rap vocals and contemporary girt and storytelling meet with a refreshing twist of experimental sound-play – Rolondo Rich takes full advantage of the creative space, for his brand new album Rich Dreams.

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Introducing a slick modern trap groove and anthem with a quirky twist. Seven year old Lil’ David is the rap prodigy creating out of Houston, Texas, a child star bringing the clean fun back to modern hip hop.

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Ma$terPeace is the creative behind the soundscapes, with Dre Marshall on hand to co-produce and mix the final ear-worm and timeless classic that is the completed reach of GO. For the remixes, Monica Blair features on the first, Crown and Chelsea Reject on the second, each enlisted to draw further focus to the conscious contemplations within the writing of GO.

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