Seamlessly intertwining the Celtic, neo classical and metal tendencies of three entirely different musical realms, Brian King Joseph effectively carves out a lane of his own, with this compelling and gripping instrumental masterpiece.
Neo Classical
Completing a highly-anticipated trio of releases from the brand new album Adagios, European composer and classical-electronic producer David Ratmoko, delivers a post-seven-minute work of art – a multi-layered, cinematic and evocative realm, which captivates from the outset and refuses to loosen its grip. Presenting in G-minor and utilising dark and emotional synths and strings, hip … Continued
While there’s plenty of Christian rock and metal now circulating, to my knowledge there isn’t a huge amount of electronic sub-genre representation in the realm of Faith. Demons Go Down acts as a formidable driving force in that regard.
Seamlessly intertwining the familiar and the original, Shannon Burchett collaborates with artist and performer Beatriz Villar, for this bold and evocative ode to Giacomo Puccini’s Nessun Dorma.
Following on from the fiercely immersive genre fusion of Adagio One, rising artist and composer David Ratmoko manages yet again to enthral, engage, and impress modern listeners, with the darkness and hypnotic depth of Adagio Two.
When the gift of music shines its light through just a solo performance on a single instrument, it holds the power to remind us of the essence of our being – the simplicity of life that can feel far more rewarding and fulfilling than anything overly loud or complex.
Solo pianist and composer Michael Strening Jr. captures precisely that quality, with the easy rise and fall of his melodically and rhythmically evocative Into The Light.
From the choir-like church-hall sample of sound, through neo-classical strings, industrial rhythms, and organic fragments of nature, Adagio One is everything we’ve come to love from renowned composer David Ratmoko, and yet in being so, is nothing like you’ll be expecting.
Composer Ube Palomino captures the imaginative freedom of instrumental expression, with the uniquely evocative, intimate to cinematic arrangements of The Hinterlands Suite.
Creatively shaking the foundations of modern composition, David Ratmoko presents the deep ambient synths and Baroque electronic arpeggios of Prelude One – an iconic redirection with an unpredictable shift towards trap rhythms and darker, cinematic sound-design as things progress.
The indelible David Ratmoko re-emerges to hit with unrivalled impact as ever, for the euphoria and melodically unforgettable new cinematic composition Prelude Four.
“You and I, ready to die for peace” resounds at the end of this hypnotic and heartfelt, harrowing yet beautiful journey. Meanwhile we’re presented with a unique fusion of Jazz, Soul, Classical, Folk and World music, as Antithesis of war gathers haunting but hopeful momentum.
Instrumental composer and producer David Ratmoko, inspired by a breadth of musical corners from eighties synth-based to traditional and neo-classical, delivers the very best of his intoxicating creativity, with the vast and immersive, distinct yet deeply involving single Prelude Three.