Composer and artist Adnan Joubran delivers a completely absorbing composition, for this visual and musical ode to longing for an end to the nightmare in Gaza.
Instrumental
Romanian pianist and composer Andrei Irimia astounds with this work. Initially engaging listeners with a profound and emotional piano performance, Fragments soon evolves through a boldly electronic ambiance, an industrial to cinematic sense of drama, to effectively redirect us entirely.
Seamlessly intertwining the mellow and euphoric, David Ratmoko‘s latest addition to the Adagios takes us through a humble but dramatic cinematic audio field of darkness and energy united. Featuring an upfront Hip Hop rhythm of hi-hats and kick drum, Adagio Four weaves in a simple but striking array of strings – a melodic guiding light … Continued
Unafraid of taking full command of the audio space, Vanterra showcases his prowess as a unique and rhythmic composer for this work. The track begins with a simple back and forth from a handful of organic instruments, somewhat joyful but repetitive as the very act of mining for gold is reimagined under an intimate and enchanting light.
Seamlessly intertwining the Celtic, neo classical and metal tendencies of three entirely different musical realms, Brian King Joseph effectively carves out a lane of his own, with this compelling and gripping instrumental masterpiece.
New music from an elusive Invadable Harmony once again presents a completely unprecedented audio realm. The White Flame allures its audience in an instant, world music tones and atmospheric whirring asserting a kind of ambient to intense presence all around you.
From minimal, atmospheric beginnings, the originality of Big O’s beat is the first thing to raise the bar for this gem of a track. Somewhat organic industrial in its stomping, pile-up feel, the beat is followed by a four-chord synth pattern and the quickly intoxicating passion of IB Delight’s saxophone lead.
Building up beautifully from intimate and haunting to dramatic and impassioned, its the live aspect of the playing that grips you – the melody is unsettled, sometimes comforting, but for the most part this feels like an outcry on behalf of the soul itself; an artistic manifestation of conflicting emotions and the true vastness of existence.
“I think personally music is the biggest form of escapism for me & the biggest form of inspiration. I don’t really like reading poetry, but I love writing it, I think my musical identity revolves around experimenting with sounds & ideas.”
It’s a cover of the classic song Congo Square – written by Sonny Landreth and brought to fame by The Neville Brothers – and it brings forth a timeless appreciation for jazz, funk, soul and the sheer joy of live music.
An echoing arena of rising notes and descending bass, something of a mirror-chamber of reflecting ideas and melodies that build and envelope the listener. There’s a certain lightness and humble euphoria to this track, a meeting between the meditative and the energising.
Impressively engaging for a new starter in production and sound-design, Don’t Do This features a timeless groove and a riff and effect-line just quirky enough to really blend the melodic and emotional tones with a clear sense of character and rising anticipation. We’re in a sort of early Fatboy Slim arena, a playful instrumental realm of sweeping synths and more clean-cut riffs alike, all separated by the opposing sections of this ongoing rhythm.