but…why? is wonderful, in short – self-explanatory but not, focused and free; a multitude of moments presenting the complexity of feelings and relationships in a bold and beautiful way. This closing song again lets the passion and layers collide and culminate, amidst this subtly unique soundscape, for a haunting crescendo that leaves you keen to replay the whole project once again.
Folk Pop
Sister Sister reflects upon shared traumas – the scars that unite women, the sisterhood born out of struggle and transformation. The music leads with a kind of Emile & Ogden melodic freedom and acoustic purity along the way, which is a joy to escape into, and the lyrics paint an engaging and inspiring picture in unison.
Lush organic grooves and intimate vocals and lyrics pave the way for a deeply comforting five-track EP. goodtoknow present a collaborative impromptu musical space, a creative moment captured in time, live and spontaneous, from Mexico City, and it’s as humble and nostalgic as it is gorgeously calming.
An engaging songwriting and musical duo – Somewhere In Between seem like a perfectly named act, a couple united by love and creativity alike, and with a profound and powerful true story as the reason for their approach and conviction as artists.
A love song like no other, a promise and testament to longevity, to trust and companionship. Lay Your Head On Me is sublime.
Creatively uninhibited, an artist with a clear sense of freedom at the helm, but whose intentions are deeply rooted in Faith. Jared Franco carves out a slick original lane in modern Christian hip hop and alternative pop, with the tribal rhythms, deep bass and soulful tones of Grace.
Capturing a moment through art and music – stylishly fusing genres and poetic images, for an instance designed to represent the seconds of divine glow experienced just before the sun sets. Heinrich Wood elevates a growing repertoire, with the catchy and immersive escapism of Golden Hour.
The crisp clarity of a finely-recorded acoustic guitar strum. A softly rising bassline, and beautifully vulnerable, honest vocals. Ferny G blends folk and pop with subtle nuance, for the deeply heartbroken I thought you were different.
This song impresses all the more so with each revisit. Think of those unusual pop songs that just work brilliantly, yet feel a little left of the expected – Drinking in LA, Somebody That I Used to Know. The kind of indie pop song you wish you’d written, and in this case, it’s perfectly captured and produced. An easy must for the summer playlists.
Acoustic musician and songwriter Summer Redstone leads with a much-welcomed dose of clear authenticity as a modern artist. The sheer feeling and delicate intensity of her two recent singles highlight a sense of talent and purpose in the field, Summer’s voice meandering through long-form melodic musings, backed only by an acoustic guitar, and delivering a fine balance between the familiar and the impressively original.
Delicate indie pop, rising from acoustic guitar and piano arrangements, through extensive lyrical musings and reflections on life and love. Vivi Ash gifts smooth vocals and fearlessly honest lyrics to a timeless format, with the five original songs of the Don’t Cry EP.
Hazy production and relatable, quietly mixed vocals – an upbeat energy and thoughtful, often romanticised lyrics. UK songwriter and musician Dave Vamfer reflects on love and life with playful creativity, throughout Find The Sound.
The song openly wonders whether good men are typically the rule or the exception, and while the hook resolves in a relatable, accessible way, the verses dive into a more poetic and intimate, personal story, letting the listener really build a connection and understanding with the artist behind them.