Shar’s honouring of Chapman resounds beautifully, no doubt impressing all the more so in the live setting, and this is easily one of the more respectful and well-imitated covers to hit the scene in quite some time. Shar ignites the natural fluidity and warmth of the song with confidence and skill, and the results work their magic with ease.

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December Snow follows an organic, minimalist arrangement of ambient details and finger-picked guitar, as we hear these reverb-kissed yet nearly whispered vocals, reflecting upon the snow-covered world and memories of an accidental kiss.

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Songs of hope, connection and communion, guided by darker fragments of subject matter and story, elevated by the warmth of soulful vocal depth and organic musical arrangements. Acoustic creative Patrick Ames never fails to entertain and connect with his original songs, and the brand new album Slow Dip Ahead is far from the exception.

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Acoustic guitar, quirky by riff but familiar by groove, backs up the intimate folk-pop vocals and contemporary lyrics of Tessa Dalton’s new single Hit the Lights. It’s a humble beginning, rising towards a bright pop single, with a catchy thread of melody and a clear sense of personality at it’s core.

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Captivating in the way that Brand New once were, these long-form lyrical trails follow precise but alternative melodies, slowly revealing the details of these heartfelt reflections and struggles – a variation from the more common writing style of ‘this and then that’.

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