Beautifully done, addictive with its dance-pop brightness & seductive, interesting melody. Perhaps the most unique yet still impressive alt-pop single to emerge this side of 2020.
Martin Englert
What sets the song apart from being viewed as an exercise in retro charm is the interesting choice of the samples and the snapping rhythm track. The choral sounds could have been curated for WOMAD by Peter Gabriel, and the fact that they don’t fit the chord progression super-snugly is a dissonant and spooky delight.