Alongside songwriting strength and structure, the subject matter is refreshingly original, comical but still performatively vulnerable, and presents the very best of Eddie Wang’s uniquely juxtaposed sense of entertainment and appeal.
Eddie Wang
“I miss you so much, but I feel for him too.” It’s a profound juxtaposition of emotions, and in essence, it quite perfectly represents the often hypocritical nature of our feelings as we navigate the world of relationships and connections.
As always, Eddie Wang refuses to adhere to expectation, and instead remains a songwriter exploring the darker depths and nuances of the human experience. Here we note the emptiness that ensues when love is lost, when even though we’re better off without the hurt, the sense of life and electricity from that experience seems irreplaceable.
Introducing a piano ballad of fearless honesty and revelation, the clear emotion and theatrical charm of Eddie Wang refuses to disappoint, as his latest single I Can’t Get You Out Of My Head addresses the unrelenting ache of a breakup you aren’t ready to accept.
Always unpredictable yet heartfelt, Eddie Wang consistently releases original songs that intrigue by both topic and design.
For his latest offering, Eddie presents the theatre-style depth of his voice by way of a long-form ballad and a brilliantly memorable pop hook.
What begins as a quirky and intimate ode to spending a birthday alone, soon evolves into a boldly poignant and heartbreaking expression of isolation and disconnection. Eddie Wang masters the unexpected once again, with the beautifully captured piano-pop ballad I Bought Myself A Cake.
This time of year always brings back the best melodies and memories combined. A fresh twist on the classic dynamic is more than welcome, and Eddie Wang’s version of It’s Beginning To Look a Lot Like Christmas is a genuine pleasure to let play this season.
The song explores the story of a brief romance that appeared with the promise of longevity and depth, before being snatched away by an unexpected change of heart.
The whole thing feels like a modern-day take on the classic love song, with dashes of Jazz, Pop and Neo-classical design all intertwined throughout.